ÿWPC| ûÿ2öÿÿBIÿÿWŸÿÿöNLQ 103|xxxx ÂÔÃÂx Œ @ÉZó þþþþþþþÿÿÿÿÿÿÿÿþÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿIBM Proprinter IIIBPROII.PRSeÛx Œ @ɇϵûÿ2œÿÿ( W0‡‡3|xIBM Proprinter IIIBPROII.PRSeÛx Œ @ɇϵNLQ 10Compressed 10ûÿ2¬ÎÿÿNQzÿÿm[xxx ÂÔÃÂx Œ @ÉZó þþþþþþÿÿÿÿÿÿÿÿþÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿæÿÿ7%xxx áîèáx Œ @É„Kó þþþþþÿÿÿÿÿÿÿÿÿÿþÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿŸÐ °°X° ÐÐ ÈÈ ÐÐÐÐ X°X° ÐÐ ÈÈ ÐÐÐÐ X°X° ÐÐ ÈÈ ÐÐÐà Ê ÁàÀÁAN ESSAY ON ENOCHIAN PRONUNCIATIONƒÄ Ä ÁàÀ(Áƒ ÁàÀ'Ábyƒ ÁàÀ"ÁChristeos Pirƒ ÁàÀÁFr. VITRIOL 335 0o O.T.O.ƒÔ H Ô Ò ÈX01ÃÃ�ÄÄ ÃÃ�ÄݰÈXP1ÃÃ�ÄÄ ÃÃ�ÄÄX°ƒ ÁàÀr.  ÒÐÐà ÃÁàÀÁAN ESSAY ON ENOCHIAN PRONUNCIATIONƒÄ Ä ÁàÀ(Áƒ ÁàÀ'Ábyƒ ÁàÀ"ÁChristeos Pirƒ ÁàÀÁFr. VITRIOL 335 0o O.T.O.ƒ ÁàÀÁà ÃDo what thou wilt shall be the whole of the Law.ƒÄ Ä This paper is divided into two sections: a comparison of some systems of pronunciation of the Enochian or Angelic language as used in the nineteen Calls of the tablets, and an attempt to write the Calls in such a manner that they may be pronounced according to Dr. Dee's notes. Part One: The first section compares three versions of the Calls: that of the Aurum Solis as published in the Llewellyn edition of Denning and Phillips' "Mysteria Magica"; Geof¬frey James' "corrected" calls as published in the Hept¬angle edition of "The Enochian Evocation of Dr. John Dee"; and Dr. Dee's original notes as špublished in the Magickal Childe edition of Meric Causabon's "True and Faithful Rela¬tion...". I have compared these systems word©by©word, with the Aurum Solis and James versions on the first two lines, and Dee's on the third. Example: Aurum Solis: OL^ SONuF VORoSiG, GOHO I©AD BALaT, Geoffrey James: OL SONF VORSG, GOHO IAD BALT, Á° ÁÁ Á Dee: Ol sonf vorsg, goho yad balt, Where Dee has separated a word into its syllables (eg, Im ua mar), I have hyphenated it so as to more easily discern between word divisions and syllable divisions (Im©ua©mar). Where he has shown stress by using an accent, I have used boldface (q©Ã ÃaÄ Ä©an). In a number of places his marginalia give more than one version of a word, usually in order to clarify its pronunciation; other times he has occasionally written an example for the same purpose ©© these I have placed in footnotes. There are also one or two places where he has offered variant spel­lings: these, too, I have placed in the footnotes. I have attempted to standardize the punctuation, arbitrarily picking one of several possible systems and applying it to all of them in a manner somewhat reminiscent of Procrustes. One problem that had to be dealt with in re©typing the Aurum Solis version is their system of transliteration, which uses several symbols outside of the English alphabet. I have made two changes to their system, solely in order to use symbols that my computer could produce, as follows (the revised key, which is adapted from "Mysteria Magica", and applies only to the AS version, is given in the Appendix):Ô h)ÔŒÓÓÐ X°°° Ð^ÂX Ârepresents the neutral vowel, as the first vowel sound in "pa¬rade," or the second vowel sound in "column."Æ(#Æ #ÂX Ârepresents the guttural, pronounced as the "ch" in German (Woche, suchen).Æ(#Æ Ð °°X° Ð It is to be noted that James' version contains a number of differences from Dee's originals. These, as I understand it, are the result of his research into, and attempts to rectify, švariations among the Calls themselves, and between the Enochian of the Calls and their English trans¬lations. I have not done any research in this area, and leave it up to the reader to decide which version to follow. Some of those corrections which are meant to fix transcription errors on Dee's part directly contradict some of Dee's own pronuncia¬tion notes. How Dee could have been able to record the sounds of his typos, I have not been able to determine. I have chosen not to include the Golden Dawn's "Hebrai¬cized" pronun­ciation, since it is based on a very different system. This is not meant as any reflection on the remark¬able achievements of Westcott, Mathers and their descendants, which just go to prove the amazing versatility of the Enochian system. Part Two: The second section is my attempt to rewrite the Calls into some sort of standardized, ÃÃreadableÄÄ phonetic system. One thing became evident in this process: the pronunciation guide given by Donald Laycock in his "Enochian Dictionary" is the closest thing to Dee's notes I've seen so far. For this reason, some may prefer to follow Laycock's guide in those cases where no indication in Dee's notes was forthcom¬ing (eg: VLCININ = Vul©see©nin or Vul©kih©nin?), a not infrequent problem, unfor¬tunately. I am not completely in agreement with Laycock in all instan¬ces, as may be seen by comparing my pronunciation key ©see Part Two© with that in Laycock's "Enochian Dictionary," which I have printed in the Appendix. One such problem, and a bone of contention among schol¬ars and dabblers alike, is over the use of the morpheme "zod." I regret to say that I have been unable to resolve this ques­tion. Out of the 127 instances of words with the letter "z" in the nineteen Calls, only 7 use "zod" ©© and even then it is inconsistent: one of those words is "zod©a©car" which appears only once in that form, and 13 times as "zacar" (or "zacare"). It is not even clear whether it is intended as a spoken syllable, or merely a clarifica­tion: ÂX° ÂThe letter à ÃzÄ Ä has not always been called "zed" or "zee"; it has had ¬many name¬s, among them being "i¬zzar¬d", and, at the end of the six¬teen¬th century, "ezod". "Zod" is nothing but a variant of this last name.Æ(#°Æ Á`(#Á(Laycock, The Complete Enochian Dictionary, p. 45)ƒ Ô Ø'ԌРX°X° ÐThe angels themselves are no help here: Ð X°°° ÐDee: I pray you, is à ÃMozodÄ Ä a word of three letters, or of five? Nalvage: In wrote three, it is larger extended. [Dee© à ÃZÄ Ä ex¬tended is à ÃZodÄ Ä.] Dee: Will you pardon me if I ask you another question of this extension? Nal.: Say on: à ÃMozÄ Ä in itself signifieth Joy; but à ÃMozodÄ Ä extended, signifieth the Joy of GodÒ ÈXP1ÃÃ�ÄÄ ÃÃ�ÄÄX°ƒ ÁàÀr. ÈXP1ÃÃ�ÄÄ ÃÃ�Äݰ+( ÒÖ/Șˆè� à ÃMozÄ Ä + à ÃIadÄ Ä? ©CP/Ö Á` (#Á(Causabon, A True and Faithful Relation..., p. 75)ƒ Ð °°X° ÐAlso: Á° Á"à Ãzod©lidaÄ Ä ... It is a word and a letter."Âp3È7ÂÆ(#ÈÆ Á`(#/Á(Causabon, op. cit., p. 120)ƒ In the end, about all that can be said with any certainty about "zod" is that no one knows exactly ÃÃhowÄÄ Dee intended it to be used. In fact, Geoffrey James doesn't even believe Enochian was received as a spoken language at all: ÂX° ÂUnfortunately, Kelly never, as the spirits' "mouthpiece", pro­nounced the Angelical words.Kelly dictated letter by letter from a table that he saw in the crystal, as shown from Kelly's des­cription that Dee recorded. . . Furthermore, if Angelical letter arrangement has random šcharacteristics, as Laycock claims, then the English©like pronun¬ciation cannot be an inherent quality of the language itself. Far more likely is that Dee assigned pronun­ciations to the Angelical because he wished to speak the keys in a ceremony, and, being English, adapted them as well as he could to his native tongue. Indeed, outside of few minor suggestions, the spirits seem unconcerned with pronunciation.Æ(#°Æ Á`(# Á(James, The Enochian Evocation of Dr. John Dee, Preface, p. xxiv)ƒ A closer reading of Dee's original records, however, indicates that not only did Kelly hear the sounds spoken by the Angels while the letters were being shown, but that Dee re©checked the Calls with them several times, as a number of corrections and revisions were later recorded. Furthermore, if the pronunciation had been invented by Dee, surely he would have come up with something more consistent! Dee's records show that the Calls were originally receiv¬ed in a different order than that in which they were later arranged by Dee, atÔ €%XÔ the Angels' orders. For those interested in the original arrangement, I recommend Causabon, pps. 79 © 138, 190 ©200. One last note: It has been pointed out by several people that one of the most strik­ing things about the whole Enochian system is that ÃÃHow Much You Put Into ItÄÄ seems to matter a great deal more than ÃÃHow You Do It.ÄÄ Perhaps there's something to James' reasoning, after all. I make no claims that this guide will make you any better (though hopefully no worse) of a magician. My intent was solely to attempt to compare the various systems of pronunciation with Dr. Dee's original notes on the subject. It is to him, and to my many mentors both within and without the Order, that this paper is dedicated with respect and love. à ÃÁàÀÁLove is the law, love under will.Ä Äƒ ÁàÀ"ÁChristeos Pirƒ ÁàÀÁFr. VITRIOL 335, 0o O.T.O.ƒ ÁàÀ'Á_O_ƒ ÁàÀ(Á|ƒÔ PÔ ‚‹ÃÞThe First CallÄÄ OL^ SONuF VORoSiG, GOHO I©AD BALaT, LON^Si# KALaZ VO©NuPiHO: SOBRA OL SONF VORSG, GOHO IAD BALT, LANSH CALZ VONPHO: SOBRA Ol sonf vorsg, ÖTÈ zß� Text has à ÃGOTTOÄ Ä © this is evidently a typo for à ÃgohoÄ Ä.TÖ yad balt, lonsh calz vonpho: sobra ZOL^ RO©R^ I TA NAZePiSAD GRA©A TA MALPiRoG: DeS HOLA# #A©A ZOL ROR I TA NAZPSAD OD GRAA TA MALPRG: DS HOLQ QAA zolÖž�Xzß� "à ÃZolÄ Ä ... à ÃzodÄ Ä /\, as à ÃolÄ Ä" [The /\ represents the Delta, or triangle, that Dee used as his personal sign in the original.]žÖ ror IÖ'Ȱzß� "a word by itself"'Ö ta nazpsad graa ta malpurg: ds holqu©u q©a©aÖ&È@zß� "Three syllables"&Ö NOT^HO©A ZIMuZ, OD KOM^MA# TA NOBLO# ZI©EN: SO©BA T^HIL G^NONuP NOTHOA ZIMZ, OD COMMAH TA NOBLOH ZIEN: SOBA THIL GNONP nothoa zimz, od commah ta nobloh zien: soba thil gnonp PiRoGE AL^DI, DeS URoBeS OBO©LE# GRoSAM^. KASARoM OHO©RE©LA PRGE ALDI, DS URBS OBOLEH GRSAM. CASARM OHORELA purge aldi, ds urbs oboleh gursam. Casarm ohorela KABA PIR^ DeS ZON^RENSiG KAB ERoM I©AD^NA#. PILA# FARoZeM CABA PIR DS ZONRENSG CAB ERM IADNAH. PILAH FARZM OD caba pir ds zonrensg cab erm Yadnah. P©il©ahÖSÈÀÐzß� "Three syllables. à ÃPÄ Ä is distinctly pronounced by itself."SÖ farzm ZUR^SA AD^NA GONO I©AD^PIL DeS HOM^ TO#, SO©BA ZNRZA ADNA OD GONO IADPIL DS HOM OD TOH, SOBA IAOD znurzaÖPȨ` zß� "à ÃZNRZAÄ Ä Call it à ÃZurzaÄ Ä. /\ As ... à ÃZnurzaÄ Ä."PÖ adna (ds)Ö@Ȩð zß� Removed by later correction from the Angel.@Ö gono ià ÃaÄ Ädpil ds hom toh, soba Ô X€ ÔŒ IPAM, LU IPAMIS, DeS LO©HO©LO VEP^ ZOMuD IPAM, OD UL IPAMIS, DS LOHOLO VEP ZOMD ÖÏ x�zß� Text at this point reads "Labiis clausis, [Span] [um um] ... He hummed twice, signifying two words more, which were not to be pronounced till they were read in practise." Á ÁThen "à ÃODÄ Ä, as you had before" followed by "à ÃBALTOHÄ Ä," then "à ÃPIAPÄ Ä". After this, some discussion as to errors in words here. Apparently "à Ãod baltoh piapÄ Ä" was removed at this point; it is unclear if the preceding "à ÃsobaÄ Ä" is to stay or not.ÏÖ ipam, luÖƒ ��zß� "à ÃLUÄ Ä ... Call it à ÃUlÄ Ä ... with such sound to à ÃUÄ Ä as we pronounce yew, whereof bows are made."ƒÖ ipamis,Ö4 È�` zß� "The à ÃAÄ Ä pronounced short."4Ö ds là ÃoÄ ÄholoÖ9 È�ð zß� "long, the first syllable accented."9Ö vep zomdvÖ™ °�€ zß� "à ÃZOMDVXÄ Ä `Call it à ÃZomeÄ Ä.' ... With great difficulty this Letter was discerned: Nalvage himself said, he knew it not yet; but it seemed to E.K. to be an à ÃXÄ Ä. Nalvage denied it to be an à ÃXÄ Ä, and said he know not yet the mystery: `Say the Lord's Prayer, for I cannot open it. Although my power be multiplied, yet I know not this letter.' At length he said it was à ÃVÄ Ä."™Ö PO©AMAL OD BOG^PA A©A©I TA PI©AP^ PI©AMOL OD VO©O©AN. POAMAL OD SONF AAI TA PIAP BALTOH OD VAOAN. poamal (s)odÖ»Xxøzß� "à ÃPOAMAL SOD Poamal OdÄ Ä, put out the à ÃSÄ Ä. Make it two words ... It may be all one word with à ÃSÄ Ä or à ÃTÄ Ä but it would be hard for your understanding."»Ö bogpa aaiÖWÈxzß� "The first à ÃAÄ Ä may be an à ÃAÄ Ä or an à ÃOÄ Ä or an à ÃEÄ Ä."WÖ ta piap piamaÖMÈx¨zß� "à ÃPIAMOÄ Ä This à ÃoÄ Ä must be sounded as à ÃaÄ Ä."MÖ elÖ»Xx8zß� "Call it à ÃPiamo elÄ Ä. It is à ÃPiatel BaltaleÄ Ä to be sounded." In fact, the record is unclear, and shows à ÃBaltaleÄ Ä first, and à ÃPiamo elÄ Ä as a correction.»Ö odÖ0ÈxXzß� "Drawing the à ÃOÄ Ä long."0Ö vaoan.ÖªXxèzß� "à ÃVOOANÄ Ä is spoken with them that fall, but à ÃVAOANÄ Ä with them that are, and are glorified. The devils have lost the dignity of their sounds."ªÖ Ô Ð ÔŒZAKAR^, KA OD ZAM^RAN; ODO KIKLE #A©A; ZOR^GE, LAP^ ZACAR, CA, OD ZAMRAN; ODO CICLE QAA; ZORGE, LAP Zacar(e)Ög��zß� "à ÃEÄ Ä must come after à ÃRÄ Ä: but without number, and so, it is à ÃZacareÄ Ä."gÖ c©a,Ö$È� zß� "two syllables"$Ö odÖ"È�°zß� "or à ÃOTÄ Ä""Ö zamran; odo cicleÖLÈ�@zß� "That à ÃCÄ Ä is called C minor." (The second à ÃcÄ Ä.)LÖ qaà ÃaÄ Ä;ÖHÈ�Ðzß� "Three syllalbes, with accent on the last à ÃAÄ Ä."HÖ zorgeÖ8È�` zß� "Of one syllable" (thus à ÃZorjÄ Ä)8Ö, lap ZI©R^DO NOKO MAD, HO©ATa# I©A©IDA. ZIRDOÖPȰð zß� à ÃZIR DONOCOÄ Ä? See James, op. cit., p. 68, footnote 1.88PÖ NOCO MAD, HOATH IAIDA. zirdo noco mad, hoath Jaida. ÃÃSecond CallÄÄ AD^GaT V^PA©A# ZON^GOM FA©A©IP^ SALD^, VI©IV aL^, SO©BAM ADGT UPAAH ZONG OM FAAIP SALD, VIV L, SOBAM Adgt V©pa©ah zong om fa©Ã ÃaÄ Ä©ip sald, vi©iv L, s©o©bam I©ALPiRoG IZA©ZAZ PI©AD^PI#; KA©SAR©MA AB^RAM^G^ TA TAL^HO IALPRG IZAZAZ PIADPH; CASARMA ABRAMG TA TALHO i©al©purg izazaz piadph; casarma abramg ta talho PA©RA©KLEDA, #aTA LORoSiLa# TURoBeS O©OGE BAL^TO#. GI©VI K^HIS PARACLEDA, Q TA LORSLQ TURBS OOGE BALTOH. GIUI CHIS šparacleda, quu©ta lors©l©qua turbs ooge baltoh. Giui chisÖ8Ȉ€ zß� "as à ÃXisÄ Ä" (Gr. Chi©Iota©Sigma)8Ö LU©SiD OR^RI, OD MIKALaP K^HIS BI©A O©ZON^GON, LAP^ NO©AN TaROF^ LUSD ORRI, OD MICALP CHIS BIA šOZONGON, LAP NOAN TROF lusd orri, od mi©calp chisÖ'Èpzß� "the à ÃIÄ Ä long"'Ö bia ozongon, lap no©an trof Ô 8 ÔŒKO©RoS TA©GE O#^ MA©NIN I©A©I©DON. TOR^ZU GOHEL^: ZAKAR^ KA CORS TA GE OQ MANIN IAIDON. TORZU GOHEL: ZACAR CA cors tage o©qua manin ia©Ã ÃiÄ Ä©don. Torzà ÃuÄ Ä go©hel: zacar ca K^NO#©OD, ZAM^RAN MIKAL^ZO OD OZAZeM U©RE©LaP, LAP^ ZI©R^ I©O©I©AD. CNOQOD, ZAMRAN MICALZO OD OZAZM VRELP, LAP ZIR IOIAD. c©nà ÃoÄ Ä©quod, zamran micalzo od ozazm vrelp, lap zir ioiad. ÃÃThird CallÄÄ MIK^MA GOHO PI©AD^, ZI©R^ KOM^©SE©L^# A ZI©EN^ BI©AB OS LON^©DO#; MICMA GOHO IAD, ZIR COMSELH AZIEN BIAB OS LONDOH; Mic©ma goho pi©ad, zir com©selh azien biabÖ$ȸ zß� or "à ÃbiahÄ Ä"$Ö os lon©doh; NO©RoZ K^HIS O©Ta©HIL GI©GI©PA#; U©N^DeL K^HIS TA PU©IM NORZ CHIS OTHIL GIGIPAH; UNDL CHIS TA PUIM norz chisÖPÈ Xzß� "as à ÃkisseÄ Ä" (therefore pronounced like modern "kiss".)PÖ othil gi©gi©pah; vnd©lÖ:È èzß� "it may be à ÃVd LÄ Ä or à ÃVnd LÄ Ä":Ö chisÖ# È xzß� "as à ÃkisÄ Ä"#Ö ta©pu©inÖ7!È zß� "you may call it à ÃTapuiÄ Ä also"7Ö i#^ MO©SiP©LE# TE©LO©Ka#, #U©I©IN TOL©TORoG K^HIS I K^HIS GE EM Q MOSPLEH TELOCH, QUIIN TOLTORG CHIS ICHISGE M q©mosplehÖ6"Ȉ˜zß� "à ÃQ Mos PlehÄ Ä as two words"6Ö štelochÖ6#Ȉ( zß� "as à ÃochÄ Ä in à Ãhotch©potÄ Ä"6Ö, qui©in toltorgÖ3$Ȉ¸ zß� "à ÃorgÄ Ä as in à ÃGeorgeÄ Ä"3Ö chisÖ %ȈH zß� "à ÃkisÄ Ä" Ö i chisgeÖ#&ȈØzß� "à Ãkis©geÄ Ä"#Ö emÖ.'Ȉhzß� "à ÃEMÄ Ä it is a word".Ö Ô à ø'ÔŒOZI©EN DeST^ B^RoGDA OD TO©RoZUL I LI E OL^ BAL©ZARoG OD A©A©LA OZIEN DS BRGDA OD TORZUL I LI F OL BALZARG, OD AALA ozien dst burgdaÖ.(È�zß� "as à ÃburgenÄ Ä, to bud".Ö od torzul Ili eol balzargÖ2)È�Xzß� "à ÃargÄ Ä as in à ÃBargeÄ Ä"2Ö od a©ala TaHILaN OS NETA©AB, DeLUGA VO©MuSARoG LON©SA KAP^©MI©ALI VO©RoS K^LA THILN OS NETAAB, DLUGA VOMSARG LONSA CAPIMALI VORS CLA thilnos netaab, dluga vomsargÖ2*Èxèzß� "à ÃargÄ Ä as in à ÃbargeÄ Ä"2Ö lonsa capmiali vors cla HO©MIL KOKASiB; FA©FEN IZ©IZ©OP^ OD MI©INO©AG DE GaNETA©AB VA©UN HOMIL COCASB; FAFEN IZIZOP OD MIINOAG DE GNETAAB VAUN homil cocasb; fafen izizop od mi©i©no©agÖE+È` xzß� "it may be called à Ãmi©moagÄ Ä or à ÃdiuphÄ Ä."EÖ de gnetaab vaun NA NA©E©EL^, PAN^©PIR^ MAL©PIRoGI KA©OSiG PILaD; NO©AN U©NA©LA# BALaT NANÀ$ÀEL, PANPIR MILPIRGI PILD CAOSG; NOAN UNALAH BALT na©na©e©el, panpir malpirgi caosg pild; noan unalah balt OD VO©O©AN. DO©O©I©AP MAD, GOHO©LOR^ GOHUS A©MIRAN. MIK^MA I©E©HUSOZ OD VOOAN. DO©O©IAP MAD, GOHOLOR GOHUS AMIRAN. MICMA IEHUSOZ od voo©an. Do©oi©ap mad, goholor gohus amiranÖ¡,X0zß� "He pronounced the à ÃiÄ Ä so remissely, as it is scarce heard, and in the pronunciation of the whole word he seemeth not to move his lips."¡Ö. Micma jehusoz KAKAKOM OD DO©O©A©IN NO©AR^ MIKA©OLaZ A©A©I©OM. KA©SARM^G^ GOHI©A CACACOM OD DOOAIN NOAR MICAOLZ AAIOM. CASARMG GOHIA: ca©ca©com od©do©o©a©inÖ9-È( zß� "it must be sounded with one breath"9Ö noar mi©ca©olz a©ai©om. Casarmg gohia: ZAKAR U©NI©Ga©LAG OD IMU©AMAR, PUGO PiLA©PiLI A©NA©NA©EL^ ZACAR UNIGLAG OD IMUAMAR, PUGO PLAPLI ANANÀ$ÀL zod©a©carÖ6.ȸ zß� "à ÃZACARÄ Ä ... à ÃZod a carÄ Ä"6Ö vniglag od im©ua©mar, pugo plapli ananael Ô � H .ÔŒ#A©AN. Q©A©AN. q©Ã ÃaÄ Ä©šan.Ö,/È�zß� "It is à Ãq À#À anÄ Ä",Ö ÃÃFourth CallÄÄ OT^HIL LASDI BA©BA©GE OD DO©RoPiHA, GOHOL^, aG^ K^HIS GE AVAVAGO OTHIL LASDI BABAGE OD DORPHA, GOHOL, GCHISGE AUAUAGO O©thil las©di ba©bage od dor©pha, go©hol, g©chis©ge ava©va©go KO©RoMP^ PiD^ DeSONuF VI UDIV^? KA©SARMI O©ALI MAPiM SOBAM AG CORMP PD DSONF VIV DIU? CASARMI OALI MAPM SOBAM AG cormp pe©de dsonf vi©v©di©v? Ca©sarmi o©a©li map©m so©bam agÖ00ȸ Xzß� "as à ÃaggÄ Ä in à ÃnagÄ Ä"0Ö KO©RoMPO K^©RoPiL, KA©SARM^G^ KRO©ODZI K^HIS OD U©GE©G^, DeST^ CORMPO CRIP L, CASARMG CROODZI CHIS OD UGEG, DS T corm©po crpl, casarmgÖ51È èzß� "the à ÃgÄ Ä as in à ÃseurgeÄ Ä"5Ö cro©od©zi chisÖ 2È xzß� "à ÃkisÄ Ä" Ö od v©geg,Ö%3È zß� "as à ÃWedgeÄ Ä"%Ö dst KAPI©MA©LI K^HIS KAPI©MA©ON, OD LONuSiHIN K^HIS TA LO K^LA. TORoGU šCAPIMALI CHIS CAPIMAON, OD LONSHIN CHIS TA LO CLA. TORZU šca©pi©ma©li chisÖ 4Ȉ˜zß� "à ÃkisÄ Ä" Ö capi©ma©on, od lonshin chis ta©l©o cla. Torgu NO©R^ #U©ASAHI OD iF^ KA©OSiGA; BAGLE ZI©RENA©I©AD DeSI OD APILA. NOR QUASAHI OD F CAOSGA; BAGLE ZIR ENAY IAD DSI OD APILA. nor©qua©sa©hi od f©gaos©ga; ba©gle zire©nai©ad dsi od api©la. DO©O©A©IP^ #A©AL, ZAKAR OD ZAM^RAN OBELI©SONuG RESTEL A©AF DO©O©A©IP QAAL, ZACAR OD ZAMRAN OBELISONG RESTEL AAI Do©oa©ip qa©al, zacar od zamran obelisong rest©el a©af Ô ° ( 4ÔŒNO©RoMO©LAP^. NOR MOLAP. normolap. ÃÃFifth CallÄÄ SA©PA# ZIMI©I DU©IB OD NO©AS TA#U©ANIS A©DeROKa#, DO©RoPiHAL SAPAH ZIMII D DIV OD NOAS TA QUANIS ADROCH, DORPHAL Sà ÃaÄ Ä©pah zà ÃiÄ Ä©mii du©Ã ÃiÄ Äv od noas ta©qu©a©nis ad©roch,Ö$5ÈÐzß� "as à ÃotchÄ Ä"$Ö dorphal KA©OSiG OD FA©ONTaS PERIPSOL TABLI©OR^. KA©SARoM A©MIP^ZI NA©ZARTa# CAOSG OD FAONTS PERIPSOL TA BLIOR. CASARM AMIPZI NAZ ARTH ca©Ã ÃoÄ Äsg od fa©onts pir©ip©sol tà ÃaÄ Ä©blior. Casarm a©mip©zi na©zarth AF OD DeLUGAR ZI©ZO©P^ Z^LIDA KA©OSiGI TOL TO©R^GI, OD AF OD DLUGAR ZIZOP ZLIDA CAOSGI TOLTORGI, OD af od dlugar zizop zod©lidaÖ06È Xzß� "it is a word and a letter"0Ö ca©Ã ÃoÄ Äs©gi toltà ÃoÄ Ärgi, od (zizop) ZeK^HIS ESI©A©SiKa# eL^ TA©VI©U OD I©A©OD TaHILaD DeS ZCHIS ESIASCH L OD VIV OD IAOD THILD DS PERAL zod©chisÖ¿7Xˆèzß� "It is better than the other, I mean that à ÃZod©chisÄ Ä being of one signification, with à ÃZizopÄ Ä that à ÃZod©chisÄ Ä is better to be used." (Instead, or along with?)¿Ö e©siach l ta©ui©u od i©Ã ÃaÄ Ä©od thildÖ#8Ȉzß� "one syllable"#Ö ds HUBAR^ PE©O©AL SOBA KO©RoMFA K^HIS TA LA ULaS OD i#^©KOKASiB. HUBAR PEOAL SOBA CORMFA CHIS TA LA ULS OD QCOCASB. hubar pe©Ã ÃoÄ Ä©al so©ba cormfa chis©taÖ"9Èp˜zß� "à ÃkistaÄ Ä""Ö la uls od qcà ÃoÄ Äcasb. KA NI©IS OD DARoBeS #A©AS; FET^HARZI OD BLI©ORA; I©A©I©AL ED^NAS CA NIIS OD DARBS QAAS; F ETHARZI OD BLIOR; IAIAL EDNAS CaÖ:ÈX( zß� "à ÃsaÄ Ä"Ö ni©is od darbsÖ%;ÈX¸ zß� "one syllable"%Ö q©Ã ÃaÄ Ä©as; feth©Ã ÃaÄ Är©zi od bli©Ã ÃoÄ Ä©ra; ia©ial ednasÔ X X;ÔŒKIKLES; BAGLE? GE©I©AD I aL^. CICLES; BAGLE? IAD I L. ci©cles; bà ÃaÄ Ä©gle? ÖK<È�Xzß� "à ÃieÄ Ä in as à ÃientleÄ Ä Ã ÃiadÄ Ä as à ÃiadeÄ Ä"KÖ Ge©jad il. ÃÃSixth CallÄÄ GA^ SiDI©U K^HIS EM^, MIKAL^ZO PIL^©ZIN; SOBAM EL HARoG MI©R^ GAH S DIU CHIS EM, MICAOLZ PILZIN; SOBAM EL HARG MIR Gah es©dà ÃiÄ Ä©u chis em, micà ÃaÄ Älzo pilzen; sobam el hargÖ*=ÈÐèzß� "à ÃargentonÄ Ä" (?!)*Ö mir BA©BA©LON OD OBeLOK SAMU©ELaG; DeLUGAR MALPiRoG ARKA©OSiGI BABALON OD OBLOC SAMVELG; DLUGAR MALPRG AR CAOSGI (pizin)Ö<>ȸ xzß� Later: "put out the last à ÃpilginÄ Ä."<Ö babà ÃaÄ Älon od ob©loc sam©velg; dlugar mal©purg ar©ca©Ã ÃoÄ Äs©gi OD AKAM KANAL^ SOBOL ZAR eF©BLI©ARoD KA©OSGI OD K^HIS ANETAB OD ACAM CANAL SOBA ELZAP F BLIARD CAOSG OD CHIS ANETAB od acà ÃaÄ Äm canalÖ"?È zß� "à ÃsanalÄ Ä""Ö so©bol©zar F©Ã ÃbliÄ Ä©ardÖ…@� ˜zß� Originally à ÃtbliordÄ Ä, then "it is better if the à ÃTÄ Ä be made an à ÃFÄ Ä, and pronounced à ÃF bli ardÄ Ä."…Ö ca©os©giÖ#AÈ ð zß� "à ÃkaosgiÄ Ä"#Ö od chifÖ BÈ € zß� "à ÃkisÄ Ä" Ö a©nà ÃeÄ Ä©tab OD MI©AM TA VI©U OD eD^. DARoSAR SOL PETa# BI©EN^; BeRITA OD ZAKAM OD MAIM TA VIV OD D. DARSAR SOLPETH BIEN; BRITA OD ZACAM od miam ta©vi©v odd. Darsar sol©peth bi©en; brita od za©cam aG^ šMIKAL^ZO; SOB©HA©ATa# TRI©AN LU©I©AHE OD©EKRIN^ MAD #A©A ON. GMICALZO; SOBA HAATH TRIAN LUIAHE OD ECRIN MAD QAAON. g©mi©cà ÃaÄ Älzo; sob©hà ÃaÄ Ä©ath trà ÃiÄ Äan lu©Ã ÃiÄ Ä©a©he o©de©crà ÃiÄ Än mad q©a©a©on. Ô È BÔŒÃÃSeventh CallÄÄ RA©AS ISAL^MAN PARADIZOD O©EKRIMI A©A©O I©ALPI©RoGA# #U©I©IN RAAS I SALMAN PARADIZ OECRIMI AAI IALPIRGAH QUIIN Ra©as i salman pa©ra©di©zod o©Ã ÃeÄ Ä©cri©mi a©aà ÃoÄ Ä Ã ÃyalÄ Ä©pir©gah qui©in E©NA©I BUT^MON; OD INO©AS NI PARADI©AL^ KA©SARM^G^ UGE©AR^ ENAY BUTMON; OD INOAS NI PARADIAL CASARMG UGEAR enay but©mon; od in©Ã ÃoÄ Ä©as ni pa©ra©dà ÃiÄ Ä©al casà ÃaÄ ÄrmgÖ/CÈzß� "The à ÃdgÄ Ä as à ÃdgÄ Ä"/Ö v©gà ÃeÄ Ä©ar K^HIRoLAN, OD ZONAK LUKIF©TI©AN KO©RoS TA VA©UL^ ZI©RoN TOLHAMI. CHIRLAN OD ZONAC LUCIFTIAN CORS TA VAUL ZIRN TOL HAMI. chir©lanÖ!DÈð Xzß� "à ÃkirÄ Ä"©!Ö od zo©nac šlu©cif©tà ÃiÄ Ä©an cors©ta và ÃaÄ Äul©zirn tol©hà ÃaÄ Ä©mi. SOBA LO©N^©DO# OD MI©AM K^HIS TAD O©DES UMA©DE©A OD PI©BLI©AR^, SOBA LONDOH OD MIAM CHIS TA OD ES UMADEA OD PIBLIAR, Soba lon©dà ÃoÄ Äh od mi©amÖ+EÈØèzß� "or à ÃOd NuÀ#ÀmÄ Ä"+Ö chis©tadÖ#FÈØxzß� "à ÃkistadÄ Ä"#Ö o©des v©mà ÃaÄ Ä©de©aÖ:GÈØzß� Very clearly à ÃvÄ Ä and not à ÃuÄ Ä.:Ö od pib©li©ar OT^HIL^ RIT OD MI©AM. KaNO#U©OL RIT; ZAKAR^, ZAM^RAN; O©EKRIMI OTHIL RIT OD MIAM CNOQUOL RIT; ZACAR, ZAMRAN; OECRIMI o©thil©rit od mà ÃiÄ Ä©am cno©quolÖ!HÈÀ˜zß� ©"à ÃkolÄ Ä"!Ö rit; za©car, zamran; o©Ã ÃeÄ Ä©crimi #A©DA# OD OMIKA©OLaZ A©A©I©OM. BAGLE PAPiNOR^ IDeLUGAM LONuS©HI QAADAH OD šOMICAOLZ AAIOM. BAGLE PAPBOR IDLUGAM LONSHI q©Ã ÃaÄ Ä©dah od o©mi©ca©ol©zod a©a©i©om. Ba©gle pap©nor id©là ÃuÄ Ä©gam lon©shi OD UM©PiLIF UGE©GI BIGaLI©AD. OD UMPLIF UGEG š BIGLIAD. od ump©lif v©ge©gi big©li©ad. Ô °( HÔŒÃÃEighth CallÄÄ BA©ZeMELO ITA PIRIPiSON OLaN NAZA©U©ABe# OKS^; KA©SARM^G^ URAN^ BAZME LO I TA PIRIPSON OLN NAZ AVABH OX; CASARMG URAN Baz©me©lo i©ta pi©rà ÃiÄ Ä©pson oln na©za©và ÃaÄ Äbh ox; casarmg v©ran K^HIS U©GE©G^ DeS©AB^RAM^G^ BALTO©HA GOHO I©AD; SOBA MI©AN TaRI©AN CHIS UGEG DS ABRAMG BALTOHA GOHO IAD; SOBA MIAM TRIAN chis v©geg šdsabramgÖ.IÈzß� "à ÃgÄ Ä not as à ÃdgÄ Ä".Ö bal©to©ha go©hà ÃoÄ Ä©i©ad; so©là ÃaÄ Ä©mi©an tri©an TA LOL^KIS ABA©I©U©ONIN OD AZI©AGI©ER^ RI©OR^. IRoGIL^ K^HIS DA TA LOLCIS ABAI VOVIN OD AZIAGIER RIOR. IRGIL CHIS DA šta©lol©cisÖ#JÈð Xzß� "or à ÃsisÄ Ä"#Ö a©ba©Ã ÃiÄ Ä©uà ÃoÄ Ä©nin od a©zi©Ã ÃaÄ Ä©gi©er rior. Ir©gil©chà ÃiÄ Äs©da DeS PA©A©OKS^ BU©SiD KA©OSiGO, DeS K^HIS, ODI©PU©RAN^ TE©LO©A#, DS PAAOX BUSD CAOSGO, DS CHIS OD IPURAN TELOCH dspà ÃaÄ Ä©a©ox busd ca©os©goÖ2KÈØèzß� "à ÃCaÄ Ä, or à ÃKa os goÄ Ä"2Ö, ds chis šodà ÃiÄ Ä©pu©ran tà ÃeÄ Ä©lo©ah, KAKaRoG O ISAL^MAN LONuK©HO OD VO©VI©NA KARoBAF^? NI©ISO, CACARG O SALMAN LONCHO OD VOVINA CARBAF? NIISO, ca©curg šo©i©sal©man lon©choÖ"LÈÀxzß� "or à ÃkoÄ Ä""Ö od vo©uà ÃiÄ Ä©na car©baf? Ni©Ã ÃiÄ Ä©so, BAGLE A©U©A©U©AGO GOHO©N^; NI©ISO, BAGLE MOMA©O SI©A©I©ON OD BAGLE AVAVAGO GOHON; NIISO, BAGLE MOMAO SIAION OD bag©le a©uà ÃaÄ Ä©ua©go go©hà ÃoÄ Än; ni©Ã ÃiÄ Ä©so ba©gle mo©ma©o si©a©i©on od MA©B^ZA I©AD O I, AS, MOMA©R^, PO©I©LaP. NI©IS, ZAM^RAN KI©A©OFI MABZA IADOISMOMAR, POILP. NIIS, ZAMRAN CIAOFI mab©za iad©o©i©as©mo©mar, poilpÖ#MÈ�zß� "one syllable"#Ö. Ni©isÖ-NÈ�˜zß� "small sound of à ÃiÄ Ä"-Ö zam©ran ci©a©o©fi Ô °( NÔŒKA©OSiGO OD BLI©ORoS OD KO©RoS©I TA AB^RAMIG. CAOSGO OD BLIORS OD CORSI TA ABRAMIG. šca©os©goÖ OÈ�zß� "à ÃkaÄ Ä"© Ö od bli©ors od cor©si ta a©bra©mig. ÃÃNinth CallÄÄ MIKA©OLI BeRANSiG PiRoGE©L^ NAPiTA I©AL^POR^ DeS BeRIN EFA©FA©FE MICAOLI BRANSG PURGEL NAPTA IALPOR DS BRIN EFAFAFE Mi©ca©oli bransg pur©gel nap©ta yalpor ds©brin e©fa©fa©feÖ.PÈÐXzß� "otia thus à ÃEFAFAFIÄ Ä".Ö iP^ VO©NuPiHO OLANI OD OB^ZA; SOBeKA UPA©A# K^HIS TA©TA©N^ OD P VONPHO OLANI OD OBZA; SOBA UPAAH CHIS TATAN OD pÖFQȸ èzß� "You must after à ÃE fa fa feÄ Ä, put a à ÃPÄ Ä."FÖ von©pho o©la©ni od ob©za; sob©caÖ Rȸ xzß� ©"à ÃkaÄ Ä" Ö v©pa©ah chis ta©tan od TaRA©NAN BA©LI©E, ALAR^ LUSiDA SOBOLaN OD K^HIS HOLa# K^NO#U©ODI TRANAN BALYE ALAR LUSDA SOBOLN OD CHIS HOLQ CNOQUODI tra©nan ba©ly©e a©lar lus©da so©boln od chis©hol©q cno©quo©di KI©AL. U©NAL AL^DON MOM^ KA©OSiGO TA LAS O©LaLO©R^ Ga©NA©I CIAI. UNAL ALDON MOM CAOSGO TA LAS OLLOR GNAY ci©alÖ!SȈzß� "à Ãsi©iÄ Ä"!Ö. V©nal al©don mom ca©os©go ta las©ol©lor gnay LIMuL©AL; AM^MA K^HIS SOBeKA MAD^RID eZ^ K^HIS; O©O©ANO©AN K^HIS LIMLAL; AMMA CHIIS SOBA MADRID ZCHIS; OOANOAN CHIS lim©lal; am©ma chi©Ã ÃiÄ Äs sob©caÖ TÈp˜zß� ©"à ÃkaÄ Ä" Ö ma©drid zod©chisÖ!UÈp( zß� ©"à ÃkisÄ Ä"!Ö; o©o©Ã ÃaÄ Ä©no©an chis AVINI D^RI©LaPI KA©OSiGIN, OD BU©TaMONI PARoM ZUMU©I KaNI©LA; AVINY DRILPI CAOSGI OD BUTMONI PARM ZUMVI CNILA; a©vi©ny dril©pi ca©os©gin od but©mo©ni parm zum©vi cni©la; Ô ¸ UÔŒDAZIS ET^HAMuZ A K^HILDA©O, OD MI©RoK OZOL^ K^HIS PIDI©A©I DAZIZ ETHAMZ ACHILDAO, OD MIRC OZOL CHIS PIDIAI dazis e©tham©zod a©chil©da©oÖ"VÈ�zß� ©"à ÃkilÄ Ä"©"Ö, od mircÖ!WÈ�Xzß� "à ÃmirkÄ Ä"!Ö o©zol chis p©i©di©a©i KOLaLAL. UL©KININ A SOBAM UKIM. BAGLE? I©AD BAL^TO# K^HI©RoLAN COLLAL ULCININ ASOBAM UCIM. BAGLE? IAD BALTOH CHIRLAN col©lal ulci©nin a©so©bam u©cim. Ba©gle? I©ad©bal©toh chir©lanÖ!XÈxèzß� "à ÃkirÄ Ä"©!Ö PAR^! NI©ISO, OD IP OFA©FA©FE, BAGLE A KOKASiB I©KORoS©KA UNIG^ PAR! NIISO, OD IP EFAFAFE, BAGLE COCASB I CORS TA UNIG par! Ni©i©so od ip o©fa©fa©fe, ba©gle a©co©casb i©cors©caÖ YÈ` xzß� ©"à ÃkaÄ Ä" Ö v©nig BLI©OR^. BLIOR. bli©or. ÃÃTenth CallÄÄ KO©RAKSO K^HIS KO©RoMP OD BLANuS LUKAL^ AZI©A©ZOR^ PA©EB, SOBA CORAXO CHIS CORMP OD BLANS LUCAL AZIAZIOR PÀ$ÀB, SOBA Co©rax©oÖ'ZȈzß� or "à ÃcoraaxoÄ Ä"'Ö chis cormp od blans lu©cal a©zà ÃiÄ Ä©a©zor pa©eb, so©ba LI©LONON K^HIS VIRo# OP E©OPiHAN OD RAKLIR^ MA©ASI BAGLE LILONON CHIS VIRQ OP EOPHAN OD RACLIR MAASI BAGLE li©lo©non chis opÖ[[Èp˜zß� "Between à ÃChisÄ Ä and à ÃVirqÄ Ä, you must put in à ÃOpÄ Ä, a word."[Ö vir©quu e©o©phan od ra©clir ma©a©si ba©gle KA©OSiGI, DeS I©AL^PON DOSIG OD BASiGIM; OD OKSEKS^ DAZIS CAOSGI, DS IALPON DOSIG OD BASGIM; OD OXEX DAZIZ ca©os©gi, ds jalpon do©sigÖ#\ÈX( zß� "as à ÃfigÄ Ä"#Ö od bas©gim; od ox©ex daz©Ã ÃiÄ Äs Ô ¸ \ÔŒSI©AT^RIS OD SAL©BeROKS KINuKS©IR^ FABO©AN. UNAL^ K^HIS KON^SiT DeS SIATRIS OD SALBROX CINXIR FABOAN. UNAL CHIS CONST DS si©a©trà ÃiÄ Äs od sal©brox cynx©ir fa©bo©an. U©n©Ã ÃaÄ Äl©chis constÖ]È�zß� "à ÃkÄ Ä"Ö ds DA©OKS KOKASiG OL O©ANI©O I©O©R^ VOHIM OL GIZI©AKS OD DAOX COCASB OL OANIO YOR EORS MICAOLI OL GIXYAX OD MATB da©ox co©casgÖ"^ÈxXzß� "as à ÃdgÄ Ä""Ö ol o©Ã ÃaÄ Ä©ni©o yor và ÃoÄ Ä©him ol giz©y©ax od E©ORoS KOKASiG PiLOSI MOLU©I DeS PA©GE©IP^ LARAG OM D^ROLaN COCASB PLOSI MOLUI DS PAGEIP LARAG OM DROLN e©Ã ÃoÄ Ärs co©casgÖ"_È` èzß� "as à ÃdgÄ Ä""Ö plo©si mol©ni ds pa©ge©ip la©rag om droln MATORoB KOKASiB EM©NA. eL^ PATRALaKS I©OL^KI MATaB, NO©MIG^ MATORB COCASB EMNA. L PATRALX YOLCI MATB, NOMIG (ma©torb) co©casb em©na. L©pà ÃaÄ Ä©tralx yol©ci (matorb)Ö^`�H xzß� "This word must come next after à ÃOm drolnÄ Ä." (©only, or both places?)^Ö nomig MO©NONuS OLO©RA GaNA©I AN©GELARoD. OHI©O, OHI©O, OHI©O, OHI©O, MONONS OLORA GNAY šANGELARD. OHIO, OHIO, OHIO, OHIO, mo©nons o©lo©ra gnay šan©ge©lard. O©hi©o, o©hi©o, o©hi©o, o©hi©o, OHI©O, OHI©O, NO©IB OHI©O KA©OSiGON! BAGLE MAD^RID I ZI©ROP^ OHIO, OHIO, NOIB OHIO CAOSGON! BAGLE MADRID I ZIROP o©hi©o, o©hi©o, no©ib o©hi©o ca©Ã ÃoÄ Äs©gon! Ba©gle ma©drid i zi©rà ÃoÄ Äp K^HI©SO D^RI©LaPA. NI©ISO: KaRIP^ IP NIDALI. CHISO DRILPA. NIISO: CRIP IP NIDALI. chi©soÖ#aÈÐzß� "à ÃkÄ Ä"(iso)#Ö dril©pa. Ni©i©so: crip ip ni©da©li. Ô x` aÔŒÃÃEleventh CallÄÄ OKSI©A©I©AL HOL^DO OD ZIROM O KO©RAKSO DeS ZIL^DAR^ RA©ASI; OD OXIAYAL HOLDO OD ZIROM O CORAXO DS ZILDAR RAASY; OD Ox©i©ay©al hol©do od zir©om o co©rà ÃaÄ Äx©o ds zil©dar ra©a©sy; od VABeZIR^ KAM^©LI©AKS OD BA©HAL^, NI©ISO: SAL^MAN TE©LO©Ka# VABZIR šCAMLIAX OD BAHAL, NIISO OD ALDON SALMAN TELOCH vab©zir cam©li©ax od ba©hal, ni©Ã ÃiÄ Ä©so sal©man te©lochÖ"bÈzß� "à ÃhotchÄ Ä""Ö KA©SARoMAN HOLa# OD TI TA eZ^ K^HIS, SOBA KOR^MuF I GA. NI©ISA CASARMAN HOLQ OD T I TA ZCHIS, SOBA CORMF I GA. NIISO ca©sà ÃaÄ Är©man hà ÃoÄ Äl©q od ti ta zod©chis, so©ba cormf i©ga ni©Ã ÃiÄ Ä©sa BAGLE AB^RAM^G^ NON^KaP. ZAKAR^ KA, OD ZAM^RAN, ODO KIKLE #A©A, BAGLE ABRAMG NONCP. ZACAR CA, OD ZAMRAN, ODO CICLE QAA, bagle ab©ramgÖ5cÈØXzß� "à ÃgÄ Ä, not as à ÃdgÄ Äà ÃÄ Ä"5Ö noncpÖ"dÈØèzß� "à ÃnonspÄ Ä""Ö. Zacar e ca, od zamran, odo cicle Qaa, ZOR^GE, LAP^ ZI©R^DO NOKO MAD, HO©ATa# I©A©IDA. ZORGE, LAP ZIRDO NOCO MAD, HOATH IAIDA. Zorge, lap zirdo noco mad, hoath Jaida.ÖŸeXÀxzß� "They are the 14 last words, in the holy language thus: à ÃZacar e ca, od zamran, odo ic. Qua, Zorge, lap zirdo Noco Mad, Hoath Jaida.Ä Ä"ŸÖ ÃÃTwelfth CallÄÄ NON^KI DeSONuF BABAGE OD K^HIS OB, HUBA©I©O TIBIBeP, AL^LAR NONCI DS SONF BABAGE OD CHIS OB, HUBARO TIBIBP, ALLAR Non©ciÖ"fȘzß� "à ÃnonsiÄ Ä""Ö dsonf ba©ba©ge od chis ob hu©bà ÃaÄ Ä©i©o ti©bibp, allar A©TaRA©A# OD EF^. D^RIKS^ FAFEN MI©AN AR ENA©I O©U©OF^, SOBA ATRAAH OD EF. DRIX FAFEN MAIN AR ENAY OVOF, SOBA a©tra©ah od ef. Drix fa©fen mi©an ar e©nay o©vof, so©ba Ô °( fÔŒDO©O©A©IN A©A©I VON^Pi#. ZAKAR^ GOHUS OD ZAM^RAN, ODO KIKLE #A©A, DOOAIN AAI I VONPH. ZACAR GOHUS, OD ZAMRAN, ODO CICLE QAA, do©Ã ÃoÄ Ä©a©in a©a©i i©vonph. Zacar e ca, od zamran, odo cicle qaa, ZOR^GE, LAP^ ZI©R^DO NOKO MAD, HO©ATa# I©A©IDA. ZORGE, LAP ZIRDO NOCO MAD, HOATH IAIDA. zorge, lap zirdo noco mad, hoath Jaida. ÃÃThirteenth CallÄÄ NAPE©A©I BABAGEN^ DeS BeRIN UKS O©O©A©ONA LaRINuG VON^Pi# NAPEAI BABAGEN DS BRIN VX OOAONA LRING VONPH Na©pe©ai ba©ba©genÖ!gȸ zß� ©"à ÃjenÄ Ä"!Ö ds brin ux o©o©Ã ÃaÄ Ä©na lring vonph DO©ALIM, E©OLIS O©LaLOG O©RoSi©BA DeS K^HIS AF^FA. MIK^MA ISiRO MAD DOALIM, EOLIS OLLOG ORSBA DS CHIS AFFA. MICMA ISRO MAD do©a©lim, e©o©lis ol©log ors©ba ds chis af©fa. Mic©ma is©ro mad OD LONuS©HI©TOKS DeS I©UMuD A©A©I GROSiB. ZAKAR OD ZAM^RAN, ODO OD LONSHI TOX DS IUMD AAI GROSB. ZACAR OD ZAMRAN, ODO od lon©shi©tox ds j©umbd. Zacar e ca, od zamran, odo KIKLE #A©A, ZOR^GE, LAP^ ZI©R^DO NOKO MAD, HO©ATa# I©A©IDA. CICLE QAA, ZORGE, LAP ZIRDO NOCO MAD, HOATH IAIDA. cicle qua, zorge, lap zirdo noco mad, hoath Jaida. ÃÃFourteenth CallÄÄ NO©RO©MI BAGI©E PASiBeS O©I©AD, DeS TaRINuT MIRoK OL^ T^HIL, DODeS NOROMI BAGIE PASBS OIAD, DS TRINT MIRC OL THIL DODS [No record of this call in Causabon.] TOL^HAM KA©OSGiGO HOMIN, DeS BeRIN ORO©Ka# #U©AR; MIK^MA BI©AL TOL HAMI CAOSGO HOMIN, DS BRIN OROCH QUAR; MICMA BIAL O©I©AD, A©IS^RO TOKS DeS©I©UM A©A©I BAL^TIM. ZAKAR OD ZAM^RAN, ODO OIAD, AISRO TOX DS IUMD AAI BALTIM. ZACAR OD ZAMRAN, ODO KIKLE #A©A, ZOR^GE, LAP^ ZI©R^DO NOKO MAD, HO©ATa# I©A©IDA. CICLE QAA, ZORGE, LAP ZIRDO NOCO MAD, HOATH IAIDA.Ô €%XgÔŒÃÃFifteenth CallÄÄ ILaS TABA©AN LI©ALPiRoT KASARoMAN UPA©AHI K^HIS DARoG DeS©OKIDO ILS TABAAM L IALPRT CASARMAN UPAAH CHIS DARG DS OADO [No record of this call in Causabon.] KA0OSiGI O©RoSiKO©R^; DeS OMAKS MONASiKI BA©E©O©U©IB OD EMET^GIS CAOSGI ORSCOR; DS OMAX MONASCI BÀ$ÀOVIB OD EMETGIS I©A©I©ADIKS. ZAKAR OD ZAM^RAN, ODO KIKLE #A©A, ZOR^GE, LAP^ ZI©R^DO IAIADIX. ZACAR OD ZAMRAN, ODO CICLE QAA, ZORGE, LAP ZIRDO NOKO MAD, HO©ATa# I©A©IDA. NOCO MAD, HOATH IAIDA. ÃÃSixteenth CallÄÄ ILaS VI©U©I©ALPiRoT SAL^MAN BALaT, DeS AKRO©ODZI BU©SiD OD ILS VIV IALPRT SALMAN BALT, DS BRIN ACROODZI BUSD OD [Beginning of this call not recorded in Causabon.] BLI©ORAKS BALIT; DeS©IN©SI KA©OSiG LUSiDAN EMOD DeS©OM OD T^LI©OB; BLIORAX BALIT; DS INSI CAOSG LUSDAN EMOD DS OM OD TLIOB; lus©dan e©mod dsom od tli©ob; D^RI©LaPA GE# ILaS MAD ZILO©DARoP. ZAKAR OD ZAM^RAN, HAMI DRILPA GEH ILS š MADZILODARP. ZACAR OD ZAMRAN, dril©pa gehÖ hÈ8zß� "à ÃjehÄ Ä" Ö ylsÖ$iÈ8Xzß� "as à ÃYilsÄ Ä"$Ö Mad©zi©lo©darp. Zacar e ca, od zamran, ODO KIKLE #A©A, ZOR^GE, LAP^ ZI©R^DO NOKO MAD, HO©ATa# I©A©IDA. ODO CICLE QAA, ZORGE, LAP ZIRDO NOCO MAD, HOATH IAIDA. odo cicle qua, zorge, lap zirdo noco mad, hoath Jaida. Ãà Seventeenth CallÄÄ ILaS DI©ALPiRoT SOBA UPA©A# K^HIS NAN^BA ZIKSiLA©I DO©DeSI# ILS D IALPRT SOBA UPAAH CHIS NANBA ZIXLAY DODSIH Ils di©al pert soba v©pa©ah chis nanba zixlay dod©sih Ô ð#èiÔŒOD BeRINT^ FAKSiS HUBARO TASiTAKS IL^SI, SOBA©I©AD I VON^PO©UN^Pi#, OD BRIN FAXS HUBARO TUSTAX YLSI, SOBA IAD I VONPOVNPH, od©brint taxsÖ°j��zß� "à ÃFaxsÄ Ä ... à ÃFaxesÄ Ä or à ÃFaxisÄ Ä to be sounded. I find in the Call à ÃTaxsÄ Ä. I finde also in some words à ÃTÄ Ä or à ÃFÄ Ä indifferently used."°Ö Hu©ba©ro tas©tax yl©si, so©bai©ad i©von©po©unph, AL^DON DAKS IL OD TO©ATAR^. ZAKAR OD ZAM^RAN, ODO KIKLE #A©A, ALDON DAXIL OD TOATAR. ZACAR OD ZAMRAN, ODO CICLE QAA, al©don dax©il od to©a©tar. Zacar e ca, od zamran, odo cicle qua, ZOR^GE, LAP^ ZI©R^DO NOKO MAD, HO©ATa# I©A©IDA. ZORGE, LAP ZIRDO NOCO MAD, HOATH IAIDA. zorge, lap zirdo noco mad, hoath Jaida. ÃÃEighteenth CallÄÄ ILaS MIKA©OLaZ OL©PIRoT I©ALP^RoG BLI©ORoS DeS ODO BU©SiDI©R^ ILS MICAOLZ OLPIRT OD IALPRG BLIORS DS ODO BUSDIR Ils mi©ca©ol©zod ol©pirt yal©purg b©liors ds odo bus©dir O©I©AD O©U©O©ARoS KA©OSiGO, KA©SARM^G^ LA©I©AD ERAN BeRINTaS OIAD OVOARS CAOSGO, CASARMG LAIAD ERAN BRINTS o©i©ad o©vo©ars ca©os©go ca©sar©mg la©i©ad e©ran brints KA©FA©FAM^, DeS I©UMuD A#iLO ADO©HI MOZ OD MA©OFiFAS; CASASAM, DS IUMD ACLONDOH MOZ OD MAOFFAS ca©fa©fam, ds i©umd a©quu©lo a©do©hi (qz) mozÖ4kÈp zß� "à ÃQZMOZÄ Ä ... à ÃMozÄ Ä"4Ö od ma©Ã ÃoÄ Äf©fas BOLaP KOMO©BLI©ORoT PAM^BeT. ZAKAR OD ZAM^RAN, ODO KIKLE #A©A, BOLP COMO BLIORT PAMBT. ZACAR OD ZAMRAN, ODO CICLE QAA bolp co©mo©bli©ort pambt. Zacar e ca, od zamran, odo cicle qua, ZOR^GE, LAP^ ZI©R^DO NOKO MAD, HO©ATa# I©A©IDA. ZORGE, LAP ZIRDO NOCO MAD, HOATH IAIDA. zorge, lap zirdo noco mad, hoath Jaida. Ô (#°kÔŒÃÃThe Call of the Thirty AethyrsÄÄ MA©DRI©AKS DeS PiRAF [LIL^], K^HIS MIKA©OLaZ SA©ANIR^ KA©OSiGO, OD MADRIAX DS PRAF [LIL], CHIS MICAOLZ SAANIR CAOSGO, OD MadriaxÖ•l� zß� "à ÃMADRIIAXÄ Ä ... O you Heavens ... /\ I think this word wanteth as may appear by à ÃMadriaxÄ Ä, about 44 words from the end."•Ö ds©praf [LIL], chà ÃiÄ ÄsÖ mÈ  zß� "à ÃkisÄ Ä" Ö micà ÃaÄ Äolz sa©Ã ÃaÄ Änir ca©Ã ÃoÄ Äs©go, od FI©SIS BAL©ZI©ZeRAS I©A©IDA! NON^KA GO©HU©LIM, MIK^MA ADO©I©AN FISIS BALZIZRAS IAIDA! NONCA GOHULIM, MICMA ADOIAN fisis bal©ziz©ras Ya©Ã ÃiÄ Ä©da! NoncaÖ nȰzß� ©"à ÃsaÄ Ä" Ö go©hà ÃuÄ Ä©lim, micmaÖ"oÈ@zß� "à ÃmikmaÄ Ä""Ö ado©i©an MAD, I©A©OD BLI©ORoB, SOBA O©O©A©ONA K^HIS LUKIF©TI©AS MAD, IAOD BLIORB, SOBA OOAONA CHIS LUCIFTIAS mad, I©Ã ÃaÄ Ä©od blià ÃoÄ Ärb, sa©ba©o©o©Ã ÃaÄ Ä©o©naÖ:pÈð Ðzß� "à ÃoÄ Ä or à ÃaÄ Ä" (But which one?):Ö chisÖ qÈð ` zß� "à ÃkisÄ Ä" Ö lu©cà ÃiÄ Äf©ti©as PERIPSOL, DeS ABRA©ASiSA NON^KaF NETA©A©IB KA©OSiGI OD TILaB PERIPSOL, DS ABRAASSA NONCF NETAAIB CAOSGO OD TILB perà ÃiÄ Äpsol, ds abraà ÃaÄ Ässa noncfÖ"rÈØð zß� "à ÃnonsfÄ Ä""Ö ne©tà ÃaÄ Ä©a©ib ca©os©gi od tilb AD^PiHA©HaT DAM©PiLOZ, TO©O©AT^ NON^KaF aG^©MIKAL^ZOMA L^RASiD ADPHAHT DAMPLOZ, TOOAT NONCF GMICALZ OM LRASD ad©phaht dà ÃaÄ Äm©ploz, to©Ã ÃoÄ Ä©at noncfÖ"sÈÀ€ zß� "à ÃnonsfÄ Ä""Ö gmi©cà ÃaÄ Äl©zo©ma l©rà ÃaÄ Äsd TOF©G^LO MARoB I©AR^RI IDO©IGO OD TORoZULaP I©A©ODAF, GOHOL^; TOFGLO MARB YARRY IDOIGO OD TORZULP IAODAF, GOHOL; tà ÃoÄ Äf©glo marb yarry idoigoÖ%tȨzß� "à ÃId ui goÄ Ä"%Ö od tor©zulp ya©o©daf, go©hà ÃoÄ Äl; à ÃÄ Ä Ô 8 tÔŒKA©OSiGA TABA©ORoD SA©ANIR^ OD K^©HoRIS©TE©OS I©R^PO©IL TI©OBeL, CAOSGI TABAORD SAANIR OD CHRISTEOS YRPOIL TIOBL, ca©Ã ÃoÄ Äs©ga à ÃÄ Äta©ba©ord à ÃÄ Äsa©Ã ÃaÄ Ä©nir odà ÃÄ Ä chris©tà ÃeÄ Ä©os yr©pà ÃoÄ Ä©il ti©Ã ÃoÄ Ä©bl, BU©SiDI©R^ TILaB NO©AL©IR^ PA©ID O©RoSi©BA OD DO©DRoM©NI ZIL^NA. BUSDIR TILB NOALN PAID ORSBA OD DODRMNI ZYLNA. bus©dir tilb no©aln pa©id ors©ba od dodrumni zyl©na. EL^ZAP TILaB PARoM GI PERIPSAKS OD TA #U©R^LaST^ BO©O©APIS. L^©NIBeM ELZAP TILB PARMGI PERIPSAX OD TA QURLST BOOAPIS. L NIMB El©zap©tilb parm©gi pe©rip©sax od ta kurlst bo©o©a©pis. L©nibm O©UK^HO SIMuP, OD K^©HoRIS©TE©OS AG TOL^©TORoN MI©RoK i#^ TI©OBeL LEL; OUCHO SYMP, OD CHRISTEOS AG TOLTORN MIRC Q TIOBL LEL; o©v©cho symp, od chris©te©os a©g©tol©torn mirk q ti©o©bl lel; TON^ PA©OMBeD DILaZ©MO AS PI©AN, OD K^©HoRIS©TE©OS TOL PAOMBD DILZMO ASPIAN, OD CHRISTEOS ton pa©ombd dil©zmo as©pi©an, odÖ$uÈ0zß� "long or short"$Ö chris©te©os AG aL^ TOR^©TORoN PARAKA# A SIMuP; KORoD©ZIZ DO©DePAL OD FI©FALaZ AG L TORTORN PARACH ASYMP; CORDZIZ DODPAL OD FIFALZ ag©l©ter©tornÖ"vÈXzß� or "à ÃahÄ Ä""Ö parach a©symp; cordziz dod©pal od fi©falz L^©SiMuNAD, OD FAR^GaT BAMuS OMA©O©AS; KO©NIS©BeRA OD A©VA©VOKS L SMNAD, OD FARGT BAMS OMAOAS; CONISBRA OD AVAVOX ls©mnad, od farg©t bams o©ma©o©as; co©nis©bra od a©ua©vox TO©NUG^, O©RoSKA©T^BeL NO©ASMI TAB©GES LE©VIT^©H^MONuG. UN©K^©HI TONUG, ORSCA TLB NOASMI TABGES LEVITHMONG. UNCHI to©nugÖ"wÈèèzß� "à Ãg dgÄ Ä""Ö, ors©cat©bl no©as©mi tab©ges levith©mong. Un©chiÖ xÈèxzß� ©"à ÃkiÄ Ä" Ö OMuP TILaB ORoS. BAGLE? MO©O©O©A# OL^ KORoD©ZIZ. aL^ KAPI©MA©O OM TILB ORS. BAGLE? MOOOAH OL CORDZIZ. L CAPIMAO omp©tilb ors. Bagle? Mo©o©o©ah ol©cord©ziz. l©ca©pi©ma©oÔ Ð xԌР°°°X ÐIKSO©MAKSIP OD KA©KOKASiB GOSA©A; BAGLEN^ PI©I TI©AN^TA A IXOMAXIP OD CA CAPIMAO GOSAA; BAGLEN PI I TIANTA ix©o©max©ip od ca©co©casb go©sa©a; baglen pi©i ti©Ã ÃaÄ Än©ta ABA©BA©LONuD, OD FA©OR^GaT TELOK^ VO VIM. MA©DRI©I©AKS šTORoZU; ABABALOND, OD FAORGT TELOCVOVIM. MADRIIAX TORZU; a©bà ÃaÄ Ä©ba©lond, od©fa©ordgt te©là ÃoÄ Äc©vo©v©im.Ö2yÈx F� "à ÃlotchÄ Ä, or à ÃlochÄ Ä."2Ö Mà ÃaÄ Ä©dri©yax tor©zu; O©A©DRI©AKS OROK^HA ABO©A©PiRI. TABA©ORI PRI©AZ AR©TABAS; OADRIAX OROCHA ABAOAPRI. TABAORI PRIAZ AR TABAORI; o©Ã ÃaÄ Ädriax orochaÖ zÈ` X F� ©"à ÃkaÄ Ä" Ö a©bo©a©pri. Tabà ÃaÄ Ä©o©ri prià ÃaÄ Äz ar©ta©bas; ADeRoPAN KO©RoSTA DOBIKS. I©OL^KAM PRI©AZI ARKO©AZI©OR^, OD ADRPAN CORS TA DOBIX. YOLCAM PRIAZI AR COAZIOR, OD a©dr©panÖ!{ÈH è F� ©"à ÃdirÄ Ä"!Ö cor©sta dobix. Yol©cam pri©Ã ÃaÄ Ä©zi ar©co©a©zior, od #U©ASiB #^TINuG. RIPIR^ PA©A©OKSiT SAGA©KO©R^; UMuL OD PRoDZAR^ QUASB QTING. RIPIR PAAOXT SAGACOR; UML OD PRDZAR quasb qtingÖ |È0x F� ©"à ÃdgÄ Ä" Ö. Ri©pà ÃiÄ Är pa©a©oxt sa©gà ÃaÄ Ä©corÖ!}È0 F� ©"à ÃkorÄ Ä"!Ö; vm©l od prdzarÖ!~È0˜ F� "à ÃpurÄ Ä"©!Ö KAKaRoG A©O©IVE©A©E KO©RoMPiT. TORoZU, ZAKAR, OD ZAM^RAN ASPiT^ CACRG AOIVEÀ$À CORMPT. TORZU, ZACAR, OD ZAMRAN ASPT ca©cà ÃÄ ÄrgÖ%È(  F� ©"à ÃcÀCÀrgÄ Ä"%Ö a©oi©và ÃeÄ Ä©a©e cormpt. Tor©zu, zacar, od©zamran aspt SIB^SI BU©T^MONA, DeS SUR^ZAS TI©A BALTAN. ODO KIKLE #A©A; OD OZAZeMA SIBSI BUTMONA, DS SURZAS TIA BALTAN. ODO CICLE QAA; OD OZAZMA sib©si but©mo©na, ds sur©zas tia baltan. Odo cicle qà ÃaÄ Äa; od ozazma PiLA©PiLI I©AD©NA©MAD^. PLAPLI IADNAMAD. pla©pli Iad©na©mad.Ô è¸ Ô �ŸÐ °X°° ÐÃÃÁàÀ$ÁPART TWOÄă As noted before, there is a lot of room for debate in those areas where Dee's notes are inconclusive or contradictory. This guide is my own interpretation (and occasionally, I admit, extrapolation) of Dee's pronunciation. Another, that of Donald Laycock, is in the Appendix to this paper. It is my opinion that often the differences between these variations are more of emphasis rather than any fundamental discord: between "ee" and "ih" for instance. In the version of the Calls that follows, the first line is that of the Calls as printed in Causabon (except where noted), the second and third are my phonetic version with pos¬sible variations. ÁàÀ ÁPRONUNCIATION KEYƒ AÁ° Á© as in "father", except "ag" rhymes with "nag" CÁ° Á© as à ÃkÄ Ä before à ÃaÄ Ä, à ÃoÄ Ä, à ÃuÄ Ä (some exceptions) ÂX° © as à ÃsÄ Ä before à ÃiÄ Ä, à ÃeÄ Ä (some exceptions)Æ(#°Æ EÁ° Á© stressed: as in "obey" Á° Á© unstressed: as in "beg" (some exceptions) GÂX° © as (hard) à ÃgÄ Ä before à ÃaÄ Ä, à ÃoÄ Ä, à ÃuÄ ÄÆ(#°Æ ÂX° © usually as à ÃjÄ Ä before à ÃiÄ Ä, à ÃeÄ Ä, and word©final, occasionally in otherÆ(#°Æ Á° Á places, some exceptions HÂX° © usually as à ÃhÄ Ä, except in combinations (à ÃchÄ Ä, à ÃphÄ Ä, à ÃshÄ Ä, à ÃthÄ Ä); eitherÆ(#°Æ Á° Á silent or slightly aspirated in certain locations (eg: Á° Á šÃ ÃComselhÄ Ä). This last does not apply to the phonetic notation Á° Á that follows: duh©loo©gaÃÃhÄÄ (à ÃdlugaÄ Ä) does not end with an šaspi© Á° Á rated sound. IÁ° Á© stressed: as in "machine" Á° Á© unstressed: as in "pill" I,JÂX° © as à ÃyÄ Ä or à ÃjhÄ Ä ("ge" as in "garaà ÃgeÄ Ä") in initial position and before a vowelÆ(#°Æ OÁ° Á© stressed: as in "go" Á° Á© unstressed: as in "go" or as in "pot", especially in ©Ã ÃochÄ Ä© Á° Á (rhymes with "botch") Q,QUÁ ° Á© as "kuh"à ÃÄ Ä, or "kwuh" (as in "quick") UÁ° Á© usually as in "rule", but occasionally as in "mug" Á° Á© in initial position may be pronounced as "yew" XÁ° Á© as à ÃÄ Äin "fox" YÁ° Á© usually as under key for I and I,Jà ÃÄ Ä ZÁ° Á© as à ÃÄ Äin "zoo"; in a very few words, as à ÃzodÄ Ä CHÁ° Á© as à ÃkÄ Ä in most positions, but ©"à ÃÄ Äà ÃochÄ Ä" rhymes with "botch" PHÁ° Á© as à ÃfÄ Ä SHÁ° Á© as à ÃshÄ Ä THÁ° Á© as à ÃthÄ Ä Double vowels should be pronounced only partly separately, with an elided pause between them: à ÃQAAÄ Ä becomes Kuh©ah©ah, with only the barest hesitation.Ô Ø'ÔŒž‚ÃÃThe First CallÄÄ Ol sonf vorsg, goho iad balt, lansh calz vonpho: sobra zol ror I Ol sonf vors©juh, goho yad balt, lonsh calz vonfo: sobra zol ror ee Á° Á vors©guhÁ¸ ÁÁÁÁh#ÁÁ#À(ÁÁ(-ÁÁ-p2ÁÁ2È7ÁÁ7 <Á zod©ol ta nazpsad graa ta malprg: ds holq qaa ta naz©puh©sad grah©ah ta malpurj: des hol©kwuh©uh kuh©ah©ah Á° ÁÁ ÁÁ` ÁÁ¸ ÁÁÁÁh#ÁÁ#À(Á hol©kuh©uh kwuh©ah©ah nothoa zimz, od commah ta nobloh zien: soba thil gnonp no©tho©ah zeemz, od com©mah ta no©blo zee©en: soba theel guh©non©puh Á° ÁÁ ÁzimzÁ` ÁÁ¸ ÁÁÁÁh#ÁÁ#À(ÁÁ(-ÁÁ-p2ÁÁ2È7Á thil guh©nomp prge aldi, ds urbs oboleh grsam. Casarm ohorela caba pir purj aldee, des yoorbs o©bo©lay gursam. Kasarm oho©ray©la kaba peer ds zonrensg cab erm iadnah. Pilah farzm znrza adna des zon©rens©juh kab erm yad©nah. Puh©ee©lah far©zum znur©zah adna zon©rens©guh gono iadpil ds hom toh, soba ipam, lu ipamis, ds loholo gono ee©Ã ÃadÄ Ä©peel des hom toh, soba ee©pam, yool à ÃeeÄ Ä©pamis, des à ÃloÄ Äholo à ÃÄ ÄÁ° Áee©Ã ÃadÄ Ä©pil vep zomdv poamal od bogpa aai ta piap piamo l od vep zom po©ah©mal od bogpa ah©ah©ee ta pee©Ã ÃapÄ Ä pee©Ã ÃahÄ Ä©ma elÖD€ÈPzß� or "à Ãpiatel baltaleÄ Ä" (pee©ah©tel bal©tayl)DÖ od vep vooan. Zacar(e) ca, od zamran; odo cicle qaa; zorge, va©oh©an. Zakar(©ay) kuh©ah, od zamran; odo kee©klay kuh©ah©Ã ÃahÄ Ä; zorj, lap zirdo noco mad, hoath Iaida. lap zeer©do noko mad, ho©ath Yah©ee©dah. Á° ÁÁ ÁÁ` ÁÁ¸ ÁÁÁ Jhah©ee©dah. ÃÃSecond CallÄÄ Adgt vpaah zong om faaip sald, viiv L, sobam Ad©get vuh©pah©ah zong om fah©Ã ÃahÄ Ä©eep sald, vi©Ã ÃeevÄ Ä el, sobam A©jetÁ ÁÁ` Á zonj ialpurg izazaz piadph; casarma abramg ta talho šparacleda, yal©poorj ee©za©zaz pee©adf; kasarma abram©guh ta talho paraklayda, qta lorslq tvrbs ooge baltoh. Giui chis lusd kuh©ta lor©sel©kwah toorbs oh©oh©gay baltoh. Gee©oo©ee kis loosd Á° ÁÁ ÁÁ` ÁÁ¸ ÁÁÁÁh#ÁÁ#À(ÁÁ(-ÁÁ-p2ÁJee©oo©eeÁ; <ÁÁ<xAÁloos©duhÔ €%X€Ô orri, od micalp chis bia ozongon, lap noan trof cors tage orree, od mee©kalp kees bee©ah oh©zong©on, lap noan trof kors tah©jeh Á° ÁÁ ÁÁ` ÁÁ¸ ÁÁÁÁh#Á oh©zonj©onÁ.p2ÁÁ2È7ÁÁ7 <ÁÁ<xAÁ tah©gay oq manin iaidon. Torzu gohel: zacar ca cnoqod, oh©kwah manin yah©Ã ÃeeÄ Ä©don. Tor©Ã ÃzooÄ Ä go©hel: zakar kah kuh©Ã ÃnoÄ Ä©kwod, Á° ÁÁ ÁÁ` ÁÁ¸ ÁÁÁÁh#ÁÁ#À(ÁÁ(-ÁÁ-p2Á sah zamran micalzo od ozazm vrelp, lap zir ioiad. zamran mee©kal©zo od oh©zaz©muh vrelp, lap zeer yo©ee©ad. Á° Á mih©kal©zoÁ¸ ÁÁÁÁh#Á vuh©relp ÃÃThird CallÄÄ Micma goho piad, zir comselh azien biab os londoh; Mik©ma goho pee©ad, zeer kom©saylh a©zee©en bee©ab os lon©doh; Meek©ma norz chis othil gigipah; vndl chis tapvin qmospleh norz kis oh©thà ÃeeÄ Äl jih©jih©pah; vindl kis ta©poo©in kwuh©mos©play(h) Á° ÁÁ Áoh©thil gee©gee©pah teloch, qviin toltorg chis i chisge m ozien dst brgda od telà ÃoÄ Ätch, kwee©in toltorj kis ee kisjeh em o©zee©en dest burjda od Á° Á kwee©eenÁ¸ ÁÁÁÁh#Á kisgayÖ+�Ȉzß� or "à ÃkeesÄ Ä"©Ã ÃÄ Ä+Ö torzul Ili eol balzarg od aala thilnos netaab, dluga torzool eelee ay©ol balzarj od ah©al©ah thil©nos ne©ta©ab, duh©loo©gah Á° Á ill©lee vomsarg lonsa capmiali vors CLA homil cocasb; fafen vomsarj lonsa kap©mee©ah©lee vors kla homeel ko©kas©buh; fafen Á° ÁÁ ÁÁ` ÁÁ¸ ÁÁÁÁh#ÁÁ#À(Á homil izizop od miinoag de gnetaab vaun nanaeel, ee©zee©zop od mee©ee©no©ag day guh©neh©Ã ÃtahÄ Ä©ab va©oon na©na©ay©el, iz©ee©zop panpir malpirgi caosg pild; noan unalah balt od vooan. panpeer malpeergee kah©os©guh peeld; no©an oonalah balt od voh©oh©an. Á° Á malpeerjee ka©os©juh Dooiap mad, goholor gohus amiran. Micma iehusoz Doh©oh©ee©ap mad, goholor gohoos ah©mih©ran. Mik©ma yay©hoo©soz Á° ÁÁ ÁÁ` ÁÁ¸ ÁÁÁÁh#ÁÁ#À(ÁÁ(-ÁÁ-p2ÁMeek©ma jhayhoo©soz Ô €%X�ÔŒcacacom od dooain noar micaolz aaiom. kakakom od©do©oh©ah©een no©ar mee©kah©olz ah©ah©ee©om. Á° ÁÁ Áod©do©oh©ah©inÁÁÁh#Á mi©kah©olz Casarmg gohia: zacar uniglag od imuamar, pugo Ka©sarm©juh go©hee©ah: zod©a©kar oo©neeg©lag od eem©wah©mar, poogo Á° ÁÁ ÁÁ` ÁÁ¸ ÁÁÁÁh#Á oo©nig©lagÁ0p2Á im©oo©ah©mar plapli ananael qaan. plah©plee ah©nah©nah©el kah©an. Á° ÁÁ ÁÁ` ÁÁ¸ Á kwuh©ah©an ÃÃFourth CallÄÄ Othil lasdi babage od dorpha, gohol, g chisge avavago O©theel las©dee ba©ba©jeh od dor©fa, gohol, guh©kis©jeh avavago O©thilÁ ÁÁ` Á ba©ba©gayÁh#ÁÁ#À(ÁÁ(-ÁÁ-p2Águh©kis©gay cormp PD dsonf vivdiv? Casarmi oali MAPM kormp payday duh©sonf vee©vuh©dee©vuh? Kasarmee oh©ah©lee map©em Á° ÁÁ Á duh©son©fuh sobam ag cormpo crpl, casarmg croodzi chis od vgeg, sobam ag kormpo kur©pul, ka©sarm©juh kro©od©zee kis od vuh©gej, dst šcapimali chis capimaon, od lonshin chis talo CLA. dest ka©pee©ma©lee kis ka©pee©ma©on, od lon©shin kis talo kla. Á° Áka©pih©ma©leeÁ¸ Á ka©pih©ma©on Torgv norquasahi od fgaosga; bagle zirenaiad Torgoo nor©kwah©sah©hee od f©gah©os©gah; bah©glay zee©ray©nye©ad Á° ÁÁ ÁÁ` ÁÁ¸ ÁÁÁ ef©gah©os©gahÁ-p2ÁÁ2È7Ázee©reh©nah©ee©ad dsi od apila. Dooaip qaal, zacar od zamran des©ee od ah©pee©la. Do©oh©ah©eep kah©al, zakar od zamran Á° ÁÁ Áah©pih©la. obelisong restil aaf normolap. oh©bel©ee©song rest©el ah©af normolap. oh©bel©ih©songÖ5‚È@zß� or oh©bel©ee©sonj/oh©bel©ih©sonj5Ö ÃÃFifth CallÄÄ Sapah zimii duiv od noas taqanis adroch, dorphal à ÃSaÄ Ä©pah à ÃzeeÄ Ä©mee©ee doo©Ã ÃeevÄ Ä od no©as tah©kwah©nis ad©rotch, dor©fal Á° Á à ÃzihÄ Ä©mee©ee Ô €%X‚ÔŒcaosg od faonts piripsol tablior. Casarm amipzi ka©Ã ÃosÄ Ä©juh od fa©onts pee©reep©sol à ÃtaÄ Ä©blee©or. Kasarm ah©meep©zee ka©Ã ÃosÄ Ä©guhÁÁÁ` ÁÁ¸ Á pir©eep©solÁ%À(ÁÁ(-ÁÁ-p2ÁÁ2È7Á ah©mip©zee nazarth af od dlugar zizop zlida caosgi toltorgi, na©zarth af od duh©loo©gar zee©zop zod©lee©dah ka©Ã ÃosÄ Ä©jee tol©Ã ÃtorÄ Ä©jee Á° ÁÁ ÁÁ` ÁÁ¸ ÁÁÁÁh#ÁÁ#À(ÁÁ(-ÁÁ-p2Á ka©Ã ÃosÄ Ä©gee tol©Ã ÃtorÄ Ä©gee od zizop zchis esiasch l tauiu od iaod thild ds od zee©zop zod©kis ay©see©ak el ta©wee©oo od ee©Ã ÃahÄ Ä©od theeld des Á° ÁÁ ÁÁ` Á eh©see©akÖƒÈÐzß� or ©yatchÖÁ%À(ÁÁ(-ÁÁ-p2Á à ÃyahÄ Ä©od hubar peoal soba cormfa chista la vls od qcocasb. hoo©bar pay©oh©al soba kormfa kis©ta la yulz od kuh©Ã ÃkoÄ Ä©kas©buh. Á° ÁÁ ÁÁ` ÁÁ¸ ÁÁÁÁh#ÁÁ#À(ÁÁ(-ÁÁ-p2ÁÁ2È7Ákwuh©Ã ÃkoÄ Ä©kas©buhÁF(#KÁ Ca niis od darbs qaas; fetharzi od bliora; iaial Sa nee©ees od darbz à ÃkahÄ Ä©as; feth©Ã ÃarÄ Ä©zee od blee©Ã ÃohÄ Ä©rah; ya©ee©al nih©eesÁ` ÁÁ¸ Ákuh©Ã ÃahÄ Ä©asÁ"h#ÁÁ#À(ÁÁ(-ÁÁ-p2ÁÁ2È7ÁÁ7 <Á ya©yal ednas cicles; ba©gle? Ge©jad il. ednas kee©klayz; à ÃbaÄ Ä©glay? Gay©yad eel. Á° Á kih©klayzÁ¸ ÁÁÁ Gay©jhad ÃÃSixth CallÄÄ Gah sdiu chis em, micalzo pilzin; sobam el harg mir Gah es©Ã ÃdeeÄ Ä©oo kis em, mee©Ã ÃkalÄ Ä©zo pilzen; sobam el harj meer babalon od obloc samvelg; dlugar malpurg arcaosgi od baà ÃbaÄ Älon od ob©lok sam©velj; duh©loo©gar mal©poorj ar©ka©Ã ÃosÄ Ä©jee od Á° ÁÁ ÁÁ` Á sam©velgÁh#ÁÁ#À(ÁÁ(-ÁÁ-p2ÁÁ2È7Áar©ka©Ã ÃosÄ Ä©gee acam canal sobolzar F bliard caosgi od chif anetab od akà ÃamÄ Ä sanal sobolzar ef©blee©ard ka©os©jee od kif ah©Ã ÃnayÄ Ä©tab od miam taviv odd. Darsar solpeth bien; brita od mee©am ta©veev od©duh. Darsar sol©peth bee©en; bree©tah od zacam gmicalzo; sobhaath trian luiahe odecrin za©kam guh©mee©Ã ÃkalÄ Ä©zo; sob©Ã ÃhaÄ Ä©ath à ÃtreeÄ Ä©an loo©Ã ÃeeÄ Ä©ah©hay oh©deh©Ã ÃkreenÄ Ä mad qaaon. mad kuh©ah©ah©on. Ãà Ô €%XƒÔŒSeventh CallÄÄ Raas i salman paradiz oecri©mi aao ialpirgah Rah©as ee salman pa©ra©dee©zod oh©Ã ÃayÄ Ä©kree©mee ah©ah©Ã ÃohÄ Ä yal©peer©gah Á° ÁÁ ÁÁ` ÁÁ¸ ÁÁÁÁh#ÁÁ#À(ÁÁ(-ÁÁ-p2ÁÁ2È7ÁÁ7 <Áyal©pir©gah quiin enay butmon; od inoas ni paradial casarmg kwee©in en©ah©ee boot©mon; od in©Ã ÃohÄ Ä©as nee pa©ra©Ã ÃdeeÄ Ä©al ka©Ã ÃsarmÄ Ä©juh kwee©een en©ai vgear chirlan od zonac luciftian corsta vaulzirn vuh©Ã ÃgayÄ Ä©ar keerlan od zonak loo©kif©Ã ÃteeÄ Ä©an korsta à ÃvahÄ Ä©ool©zirn Á° ÁÁ Á kir©lanÁ¸ ÁÁÁ loo©sif©Ã ÃteeÄ Ä©an tolhami. Soba londoh od miam chistad odes vmadea od tol©Ã ÃhaÄ Ä©mee. Soba lon©Ã ÃdohÄ Ä od à ÃmeeÄ Ä©am kis©tad o©des vuh©Ã ÃmaÄ Ä©day©ah od pibliar othilrit od miam cnoquol rit; zacar, zamran; pib©lee©ar oh©thil©reet od à ÃmeeÄ Ä©am kuh©no©kol reet; zakar, zamran; oecrimi qadah od omicaolz aaiom. Bagle oh©Ã ÃayÄ Ä©kree©mee kuh©Ã ÃahÄ Ä©dah od oh©mi©kah©ol©zod ah©ah©ee©om. Ba©glay papnor idlugam lonshi od umplif vgegi bigliad. papnor id©Ã ÃlooÄ Ä©gam lon©shee od oom©pleef vuh©gay©jee big©lee©ad. Á° ÁÁ ÁÁ` ÁÁ¸ ÁÁÁÁh#ÁÁ#À(ÁÁ(-Ávuh©gah©gee bee©glee©ad. ÃÃEighth CallÄÄ Bazmelo ita piripson oln nazavabh ox; casarmg Baz©may©lo ee©ta pih©Ã ÃreepÄ Ä©son oln na©za©Ã ÃvabÄ Äh oks; ka©sarm©juh vran chis vgeg dsabramg baltoha gohoiad; vuh©Ã ÃranÄ Ä kis vuh©gej duh©sa©bram©guh bal©to©ha go©Ã ÃhoÄ Ä©ee©ad; solamian trian štalolcis abaiuonin od aziagier so©Ã ÃlaÄ Ä©mee©an tree©an ta©lol©sis a©ba©Ã ÃeeÄ Ä©wà ÃoÄ Ä©nin od a©zee©Ã ÃahÄ Ä©jee©er Á° ÁÁ ÁÁ` ÁÁ¸ ÁÁÁÁh#ÁÁ#À(ÁÁ(-ÁÁ-p2ÁÁ2È7Áa©zee©Ã ÃahÄ Ä©gee©er rior. Irgilchisda dspaaox busd caosgo, ds chis ree©or. Eer©gil©Ã ÃkeesÄ Ä©da duh©Ã ÃspaÄ Ä©ah©oks boosd ka©os©go, des kis Á° Á Ir©geel©kis©daÖ5„ÈÐ zß� or ©"à ÃjilÄ Ä"©, ©"à ÃjeelÄ Ä"©5Ö šodipuran teloah, cacrg šoisalman loncho od vouina o©Ã ÃdeeÄ Ä©poo©ran à ÃtayÄ Ä©lo©ah, ka©koorj o©ee©sal©man lon©ko od vo©Ã ÃweeÄ Ä©na Á° ÁÁ ÁÁ` ÁÁ¸ ÁÁÁka©koorgÁ&À(ÁÁ(-ÁÁ-p2ÁÁ2È7ÁÁ7 <Á vo©Ã ÃveeÄ Ä©na Ô €%X„ÔŒcarbaf? Niiso, bagle auauago gohon; niiso bagle kar©baf? Nee©Ã ÃeeÄ Ä©so, ba©glay ah©Ã ÃwahÄ Ä©wah©go go©Ã ÃhonÄ Ä; nee©Ã ÃeeÄ Ä©so ba©glay Á° ÁÁ ÁÁ` ÁÁ¸ ÁÁÁ ah©Ã ÃvaÄ Ä©va©go momao siaion od mabza iadoiasmomar, poilp. Niis mo©ma©oh see©ah©ee©on od mab©za yad©oh©ee©as©mo©mar, po©eelp. Nih©ees Á° ÁÁ ÁÁ` ÁÁ¸ ÁÁÁÁh#ÁÁ#À(ÁÁ(-ÁÁ-p2ÁÁ2È7Á po©ilpÁ@xAÁ Nih©is zamran ciaofi caosgo od bliors od corsi ta abramig. zam©ran kee©ah©oh©fee ka©os©go od blee©ors od kor©see ta a©bra©mig. Á° Á see©ah©oh©fee ÃÃNinth CallÄÄ Micaoli bransg purgel napta ialpor dsbrin Mee©ka©oh©lee brans©guh poor©gel nap©ta yal©por des©breen Mih©ka©oh©lee brans©juh poor©jelÁ%À(ÁÁ(-ÁÁ-p2Á des©brin efafafe p vonpho olani od obza; sobca vpaah chis ay©fah©fah©fay puh von©fo oh©la©nee od ob©za; sob©ka vuh©pah©ah kis Á° ÁÁ ÁÁ` Ápay tatan od tranan balye alar lusda soboln od chisholq ta©tan od tra©nan ba©lee©ay a©lar loos©da so©boln od kis©hol©kwah cnoquodi cial. Vnal aldon mom caosgo ta lasollor kuh©no©kwo©dee see©al. Vuh©nal al©don mom ka©os©go ta las©ol©lor gnay limlal; amma chiis sobca madrid zchis; ooanoan guh©nay lil©lal; am©ma kee©ees sob©ka ma©drid zod©kis; oh©oh©ah©no©an guh©nah©eeÁ` ÁÁ¸ Á kih©ees chis aviny drilpi caosgin od butmoni parm zumvi kis ah©vee©nee dril©pee ka©os©jin od boot©mo©nee parm zoom©vee Á° Áah©vih©neeÁ¸ ÁÁÁka©os©gin cnila; dazis ethamz achildao, od mirk ozol chis kuh©nee©la; daz©ees ay©tham©zod ah©kil©da©oh, od mirk oh©zol kis pidiai collal ulci©nin asobam ucim. Bagle? pee©dee©ah©ee kol©lal ool©see©nin a©so©bam oo©seem. Ba©glay? Á° ÁÁ ÁÁ` ÁÁ¸ Á ool©see©neenÁ'À(ÁÁ(-Á oo©kim Iadbaltoh chirlan par! Niiso od ip ofafafe, bagle Yad©bal©toh kir©lan par! Nee©ee©so od eep oh©fa©fa©fay, ba©glay acocasb icorsca vnig blior. ah©ko©kasb ee©kors©ka vuh©nig blee©or. Ãà Ô Ø' „ÔŒTenth CallÄÄ Coraxo chis cormp od blans lucal aziazor paeb, soba Ko©rak©so kis kormp od blanz loo©kal ah©Ã ÃzeeÄ Ä©ah©zor pa©eb, so©ba lilonon chis op virq eophan od raclir maasi bagle lee©lo©non kis op veer©kwuh ay©oh©fan od ra©kleer ma©ah©see ba©glay Á° ÁÁ ÁÁ` Á vir©kwuh caosgi, ds ialpon dosig od basgim; od oxex dazis ka©os©jee, des yal©pon do©sig od bas©geem; od oks©ayks dah©Ã ÃzeesÄ Ä ka©os©geeÁÁÁ` Ájhal©ponÁÁÁh#Á bas©gimÖ/…Șzß� or ©Ã ÃjeemÄ Ä, ©Ã ÃjimÄ Ä/ÖÁ1p2Á okx©eks siatris od salbrox cynxir faboan. Unalchis const see©ah©Ã ÃtreesÄ Ä od sal©broks sinks©eer fa©bo©an. Yoon©Ã ÃalÄ Ä©kis konst Á° ÁÁ ÁÁ` ÁÁ¸ ÁÁÁ seenks©eer ds daox cocasg ol oanio yor vohim ol gizyax od des da©oks ko©kas©juh ol oh©Ã ÃahÄ Ä©nee©oh yor à ÃvoÄ Ä©heem ol giz©ee©aks od Á° ÁÁ ÁÁ` ÁÁ¸ ÁÁÁÁh#ÁÁ#À(ÁÁ(-Á à ÃvoÄ Ä©himÁ5È7Á jiz©ee©aks eors cocasg plosi molni ds pageip larag om droln ay©Ã ÃorzÄ Ä ko©kas©juh plo©see mol©nee des pa©gay©eep la©rag om drol©nuh Á° Á Á ÁÁ` ÁÁ¸ ÁÁÁÁh#ÁÁ#À(Á pa©jay©eep matorb cocasb emna. L patralx yolci nomig ma©torb ko©kas©buh em©na. El©Ã ÃpaÄ Ä©tralks yol©see no©mig Á° ÁÁ ÁÁ` ÁÁ¸ ÁÁÁÁh#ÁÁ#À(Á yol©kee monons olora gnay angelard. Ohio, ohio, ohio, mo©nons oh©lo©ra guh©nay an©gay©lard. O©hee©o, o©hee©o, o©hee©o, Á° ÁÁ ÁÁ` ÁÁ¸ ÁÁÁan©jeh©lard ohio, ohio, ohio, noib ohio caosgon! Bagle O©hee©o, o©hee©o, o©hee©o, no©eeb, o©hee©o ka©Ã ÃosÄ Ä©gon! Ba©glay madrid i zirop chiso drilpa. Niiso: crip ip nidali. ma©drid ee zee©Ã ÃropÄ Ä kee©so dril©pa. Nee©ee©so: kreep eep nee©da©lee. Á° ÁÁ ÁÁ` ÁÁ¸ ÁÁÁ dreel©paÁ'À(ÁÁ(-ÁÁ-p2Á kripÁ7 <Á nih©da©lee ÃÃEleventh CallÄÄ Oxiayal holdo od zirom o coraxo ds zildar Oks©Ã ÃeeÄ Ä©ah©al hol©do od zeer©om oh ko©Ã ÃraksÄ Ä©oh des zeel©dar raasy; od vabzir camliax od bahal, niiso salman ra©ah©see; od vab©zeer kam©lee©aks od ba©hal, nee©Ã ÃeeÄ Ä©so sal©man Ô €%!X…ÔŒteloch casarman holq od ti ta zchis, soba cormf iga tay©lotch ka©Ã ÃsarÄ Ä©man à ÃholÄ Ä©kwah od tee tah zod©kis, so©ba kormf ee©gah niisa bagle abramg noncp. Zacar e ca, od zamran, odo nee©Ã ÃeeÄ Ä©sa ba©glay ah©bram©guh nonsp. Zakar ay ka, od zamran, odo cicle qaa, zorge, lap zirdo noco mad, hoath Iaida.Ãà ÄÄkee©klay kuh©ah©ah, zorj, lap zeer©do noko mad, ho©ath Ya©ee©dah. Á° ÁÁ ÁÁ` ÁÁ¸ ÁÁÁÁh#ÁÁ#À(ÁÁ(-ÁÁ-p2ÁÁ2È7ÁÁ7 <Á Jha©ee©dah ÃÃTwelfth CallÄÄ Nonci dsonf babage od chis ob hubaio tibibp, Non©see duh©son©fuh ba©ba©jeh od kis ob hoo©Ã ÃbaÄ Ä©ee©oh tee©beeb©puh, Á° ÁÁ ÁÁ` ÁÁ¸ Ába©bajay allar atraah od ef. Drix fafen mian ar enay ovof, soba al©lar a©tra©ah od ef. Driks fa©fen mee©an ar en©ay oh©vof, so©ba Á° ÁÁ ÁÁ` ÁÁ¸ Á DreeksÁ"h#ÁÁ#À(ÁÁ(-ÁÁ-p2Á ay©nah©ee dooain aai ivonph. Zacar e ca, od zamran, odo cicle do©Ã ÃohÄ Ä©ah©een ah©ah©ee ee©vonf. Zakar ay ka, od zamran, odo kee©klay qaa, zorge, lap zirdo noco mad, hoath Iaida. kuh©ah©ah, zorj, lap zeer©do noko mad, ho©ath Ya©ee©dah. Á° ÁÁ ÁÁ` ÁÁ¸ ÁÁÁÁh#ÁÁ#À(ÁÁ(-ÁÁ-p2Á Jha©ee©dah. ÃÃThirteenth CallÄÄ Napeai babagen ds brin ux ooana lring vonph Na©pay©ah©ee ba©ba©jen des breen yooks oh©oh©ah©na el©ring vonf Á° ÁÁ ÁÁ` ÁÁ¸ ÁÁÁÁh#ÁÁ#À(ÁÁ(-ÁÁ-p2ÁÁ2È7Á el©rinj doalim, eolis ollog orsba ds chis affa. Micma isro do©ah©leem ay©oh©lees ol©log orz©ba des kis af©fa. Mik©ma ees©ro do©ah©lim ay©oh©lisÁÁÁh#ÁÁ#À(ÁÁ(-ÁÁ-p2ÁÁ2È7Á Meek©ma mad od lonshitox ds jumbd. Zacar e ca, od zamran, odo mad od lon©shee©toks des juh©oomd. Zakar ay ka, od zamran, odo Á° ÁÁ ÁÁ` ÁÁ¸ ÁÁÁyoom©duh cicle qaa, zorge, lap zirdo noco mad, hoath Iaida. kee©klay kuh©ah©ah, zorj, lap zeer©do noko mad, ho©ath Ya©ee©dah. Á° ÁÁ ÁÁ` ÁÁ¸ ÁÁÁÁh#ÁÁ#À(ÁÁ(-ÁÁ-p2ÁÁ2È7ÁÁ7 <Á Jha©ee©dah Ãà Ô Ø'"…ÔŒFourteenth CallÄÄ [No record of this call in Causabon. This version based on the Aurum Solis text.] Noromi bagie pasbs oiad, ds trint mirc ol No©ro©mee ba©jee©ay pas©biz oh©ee©ad, des treen©tuh meer©kuh ol Á° ÁÁ Ába©gee©ayÁ¸ ÁÁÁÁh#ÁÁ#À(ÁÁ(-ÁÁ-p2ÁÁ2È7Á mirk thil, dods tolham caosgo homin, ds brin oroch quar; theel, dods tol©ham ka©os©go ho©meen, des breen orok koo©ar; thilÁ ° ÁÁ ÁÁ` ÁÁ¸ ÁÁÁ ho©minÁ(-Á brinÁ3È7Á kwar micma bial oiad, aisro tox dsium aai mik©ma bee©al oh©ee©ad, ah©ees©ro toks des©yoom ah©ah©ee meek©maÁ ÁÁ` ÁÁ¸ ÁÁÁÁh#ÁÁ#À(Á des©ee©oom baltim. Zacar od zamran, odo cicle qaa, jorge, lap bal©teem. Zakar od zamran, odo kee©klay kuh©ah©ah, zorj, lap à ÃÄ Äbal©timÁ ÁÁ` ÁÁ¸ ÁÁÁÁh#ÁÁ#À(ÁÁ(-Ákah©ah zirdo noco mad, hoath Iaida. zeer©do noko mad, ho©ath Ya©ee©dah. Á° ÁÁ ÁÁ` ÁÁ¸ ÁÁÁJha©ee©dah ÃÃFifteenth CallÄÄ [No record of this call in Causabon. This version based on the Aurum Solis text.] Ils tabaan lialprt casarman upaahi chis darg ds Yils ta©ba©an lee©al©purt kasarman oo©pa©ah©hee kis darjuh des Á° ÁÁ ÁÁ` ÁÁ¸ ÁÁÁÁh#ÁÁ#À(ÁÁ(-ÁÁ-p2ÁÁ2È7Á darguh okido caosgi orscor; ds omax monasci baeouib od oh©kee©do ka©os©jee ors©kor; des oh©maks mo©nas©kee bye©oh©oo©eeb od Á° ÁÁ Áka©os©geeÁ¸ ÁÁÁÁh#ÁÁ#À(ÁÁ(-Á mo©nas©see bah©ay©oh©eeb emetgis iaiadix. Zacar od zamran, odo cicle qaa ay©met©jis yah©ee©ah©diks. Zakar od zamran, odo kee©klay kuh©ah©ah eh©met©gis zorge, lap zirdo noco mad, hoath Iaida. zorj, lap zeer©do noko mad, ho©ath Ya©ee©dah. Á° ÁÁ ÁÁ` ÁÁ¸ ÁÁÁÁh#ÁÁ#À(Á Jha©ee©dah Ãà Ô Ø'#…ÔŒSixteenth CallÄÄ [Beginning of this call not recorded in Causabon. Missing text based on the Aurum Solis text.] Ils viuialprt salman balt, ds brin acroodzi busd od Yils veev©yal©purt sal©man balt, des breen a©kroh©od©zee boosd od Á° Ávee©oo©ee©al©purt bliorax balit; dsinsi caosg lusdan emod dsom od blee©oh©raks baleet; des©in©see kaos©juh loos©dan ay©mod duh©som od Á° ÁÁ Á bal©tuhÁÁÁh#Á koas©guh tliob; drilpa geh yls Madzilodarp. Zacar e ca, od zamran, tuh©lee©ob; dreel©pa jeh yils mad©zee©lo©darp. Zakar ay ka, od zamran, Á° ÁÁ Á dril©pa odo cicle qaa, zorge, lap zirdo noco mad, hoath Iaida. odo kee©klay kuh©ah©ah, zorj, lap zeer©do noko mad, ho©ath Ya©ee©dah. Á° ÁÁ Á kah©ahÁ¸ ÁÁÁÁh#ÁÁ#À(ÁÁ(-ÁÁ-p2ÁÁ2È7ÁÁ7 <ÁÁ<xAÁJha©ee©dah Ãà Seventeenth CallÄÄ Ils dial pert soba vpaah chis nanba zixlay dodsih Yils dee©al pert so©ba vuh©pa©ah kis nan©ba zeeks©la©ee dod©seeh Á° ÁÁ ÁÁ` ÁÁ¸ ÁÁÁÁh#ÁÁ#À(ÁÁ(-ÁÁ-p2Áziks©lay od brint taxs Hubaro tastax ylsi, sobaiad od breent faksiz hoo©ba©ro tas©taks yil©see, so©ba©ee©ad brintÁ ÁÁ` ÁÁ¸ ÁÁÁÁh#ÁÁ#À(ÁÁ(-ÁÁ-p2Áso©ba©yad ivonpounph, aldon daxil od toatar. Zacar e ca, od zamran, ee©von©po©oonf, al©don daks©il od to©a©tar. Zakar ay ka, od zamran, odo cicle qaa, zorge, lap zirdo noco mad, hoath Iaida. odo kee©klay kuh©ah©ah, zorj, lap zeer©do noko mad, ho©ath Ya©ee©dah. Á° ÁÁ Á kah©ahÁ¸ ÁÁÁÁh#ÁÁ#À(ÁÁ(-ÁÁ-p2ÁÁ2È7ÁÁ7 <ÁÁ<xAÁJha©ee©dah Ãà Eighteenth CallÄÄ Ils micaolz olpirt yalpurg bliors ds odo busdir Yils mee©ka©ol©zod ol©peert yal©poorj blee©ors des odo boos©deer Á° Ámih©ka©ol©zodÁ¸ ÁÁÁÁh#ÁÁ#À(Á buh©lee©rs oiad ovoars caosgo casarmg laiad eran brints oh©ee©ad oh©vo©arz ka©os©go ka©sarm©juh la©ee©ad ay©ran breents Á° ÁÁ ÁÁ` ÁÁ¸ ÁÁÁÁh#ÁÁ#À(ÁÁ(-ÁÁ-p2Á eh©ran brints Ô Ø'$…ÔŒcafafam, ds iumd aquulo adohi moz od maoffas bolp ka©fa©fam, des yoomd ah©kwuh©oo©lo a©do©hee moz od ma©of©as bolp Á° ÁÁ ÁÁ` Áee©oomd comobliort pambt. Zacar e ca, od zamran, odo cicle ko©mo©blee©ort pam©but. Zakar ay ka, od zamran, odo kee©klay Á° ÁÁ ÁÁ` Ápamt qaa, zorge, lap zirdo noco mad, hoath Iaida. kuh©ah©ah, jorj, lap zeer©do noko mad, ho©ath Ya©ee©dah. Á° ÁÁ ÁÁ` ÁÁ¸ ÁÁÁÁh#ÁÁ#À(ÁÁ(-ÁÁ-p2Á Jha©ee©dah Ãà The Call of the Thirty AethyrsÄÄ MadriaxÒ ÈXP1ÃÃ�ÄÄ ÃÃ�Äݰ+(ÈX01ÃÃ�ÄÄ ÃÃ�ÄÄX°LAPLI DNA Ò dspraf [LIL], chis micaolz saanir caosgo, Mad©ree©aks des praf [Leel], kis mee©Ã ÃkaÄ Ä©olz sa©Ã ÃahÄ Ä©neer ka©Ã ÃosÄ Ä©go, od fisis balzizras Iaida! Nonca gohulim, micma od fi©sees bal©zeez©ras Ya©Ã ÃeeÄ Ä©dah! Nonsa go©Ã ÃhooÄ Ä©lim, meek©ma fee©seezÁ` ÁÁ¸ Á Jha©Ã ÃeeÄ Ä©dah!Á(-ÁÁ-p2ÁÁ2È7Á mik©ma adoian mad, Iaod bliorb, sabaooaona chis a©do©Ã ÃeeÄ Ä©an mad, Ee©Ã ÃahÄ Ä©od blee©Ã ÃorbÄ Ä, sa©ba©oh©oh©Ã ÃahÄ Ä©oh©na kis Á° ÁÁ ÁÁ` Á à ÃYahÄ Ä©od luciftias peripsol, ds abraassa noncf netaaib loo©keef©tee©as pay©Ã ÃreepÄ Ä©sol, des a©bra©Ã ÃasÄ Ä©sa non©suf ne©Ã ÃtahÄ Ä©ah©eeb loo©seef©tee©as peh©Ã ÃreepÄ Ä©sol caosgi od tilb adphaht damploz, tooat noncf ka©os©jee od teelb ad©fa©tuh à ÃdamÄ Ä©ploz, to©Ã ÃohÄ Ä©at non©suf ka©os©gee gmicalzoma l rasd tofglo marb yarry idoigo od guh©mee©Ã ÃkalÄ Ä©zo©ma el©Ã ÃrasÄ Ä©duh à ÃtofÄ Ä©glo marb yar©ree eed©wee©go od Á° ÁÁ ÁÁ` ÁÁ¸ ÁÁÁÁh#ÁÁ#À(ÁÁ(-ÁÁ-p2ÁÁ2È7Áee©doo©ee©go torzulp iaodaf, gohol; caosga tabaord saanir tor©zoolp ya©oh©daf, go©Ã ÃholÄ Ä; ka©Ã ÃosÄ Ä©ga ta©ba©ord sa©Ã ÃahÄ Ä©neer od christeos yrpoil tiobl, busdir tilb noaln od kris©Ã ÃtayÄ Ä©os eer©Ã ÃpoÄ Ä©eel tee©Ã ÃohÄ Ä©bul, boos©deer teel©buh no©al©nuh Á° ÁÁ ÁÁ` Áyur©Ã ÃpoÄ Ä©eelÁh#ÁÁ#À(ÁÁ(-ÁÁ-p2Á til©buh Ô Ø'%…ÔŒpaid orsba od dodrmni zylna. Elzap tilb parmgi pa©eed ors©ba od dod©rum©nee zilna. El©zap©teelb parm©gee Á° ÁÁ ÁÁ` ÁÁ¸ ÁÁÁ zeel©na El©zap©tilb parm©jee peripsax od ta qurlst booapis. Lnibm ovcho symp, pay©reep©saks od ta koorlst bo©oh©ah©pees. El©nib©um oh©vuh©ko simp, pay©rip©saks od christeos agtoltorn mirc q tiobl lel; ton paombd od kris©tay©os ag©tol©torn meerk kwah tee©oh©bel lel; ton pa©om©duh Á° ÁÁ ÁÁ` ÁÁ¸ ÁÁÁ mirk dilzmo aspian, od christeos agltertorn parach asymp; deelz©mo as©pee©an, od kris©tay©os ag©ul©ter©torn pa©rach a©simp; cordziz dodpal od fifalz lsmnad, od fargt bams kord©zeez dod©pal od fee©falz ulz©muh©nad, od far©jet bamz Á° ÁÁ ÁÁ` ÁÁ¸ ÁÁÁÁh#ÁÁ#À(ÁÁ(-ÁÁ-p2Á far©gut omaoas; conisbra od auavox tonug, orscatbl noasmi oh©ma©oh©as; ko©nees©bra od ah©wah©voks to©nuj, orz©cat©bul no©as©mee Á° ÁÁ Á ko©nis©bra tabges levithmong. Unchi omptilb ors. Bagle? Moooah tab©jess lay©veeth©mong. Oonki om©puh©teelb orz. Ba©glay? Mo©oh©oh©ah tab©gayz lay©vithmongÖ%†Èˆó‰� or ©"à ÃmonjÄ Ä"%ÖÁÁÁh#Á om©puh©tilb ol cordziz. L capimao ixomaxip od ca cocasb ol©cord©zeez. El©ka©pee©ma©oh eeks©oh©Ã ÃÄ Äà ÃmaksÄ Ä©eep od ka©ko©kas©buh gosaa; baglen pii tianta ababalond, od faorgt go©sa©ah; ba©glen pee©ee tee©Ã ÃanÄ Ä©ta a©Ã ÃbaÄ Ä©ba©lon©duh, od fa©or©jet telocvovim. Madriiax torzu; oadriax orocha tay©Ã ÃlotchÄ Ä©vo©veem. à ÃMaÄ Ä©dree©yaks tor©zoo; oh©Ã ÃahÄ Ä©dree©aks oh©ro©ka aboapri. Tabaori priaz artabas; adrpan corsta ah©bo©ah©pree. Ta©Ã ÃbaÄ Ä©oh©ree pree©Ã ÃazÄ Ä ar©ta©bas; ah©dir©pan kor©sta dobix. Yolcam priazi arcoazior, od quasb qting. do©biks. Yol©kam pree©Ã ÃahÄ Ä©zee ar©ko©ah©zee©or, od kwas©buh kwah©tinj. Á° ÁÁ ÁÁ` ÁÁ¸ ÁÁÁÁh#ÁÁ#À(ÁÁ(-ÁÁ-p2ÁÁ2È7ÁÁ7 <Á kuh©tinj Ripir paaoxt sagacor; vml od prdzar cacrg Ree©Ã ÃpeerÄ Ä pa©ah©oks©tuh sa©Ã ÃgaÄ Ä©kor; vum©ul od purd©zar ka©Ã ÃkurjÄ Ä Ri©Ã ÃpeerÄ Ä Á ÁÁ` ÁÁ¸ ÁÁÁÁh#ÁÁ#À(Áoom©ulÁ.p2ÁÁ2È7Á ka©Ã ÃkurgÄ Ä Ô €%&X†ÔŒaoiveae cormpt. Torzu, zacar, od zamran aspt sibsi ah©oy©Ã ÃvayÄ Ä©ah©ay korm©put. Tor©zoo, zakar, od zamran as©put seeb©see ah©oh©ee©Ã ÃvayÄ Ä©ah©ay korm©puh©tuhÁ$À(ÁÁ(-ÁÁ-p2ÁÁ2È7ÁÁ7 <ÁÁ<xAÁ sib©see butmona, ds surzas tia baltan. Odo cicle qaa; od boot©mo©na, des soor©zas tee©ah bal©tan. Odo kee©klay à ÃkahÄ Ä©ah; od Á° ÁÁ ÁÁ` ÁÁ¸ ÁÁÁÁh#ÁÁ#À(ÁÁ(-ÁÁ-p2ÁÁ2È7Á kuh©Ã ÃahÄ Ä©ah ozazma plapli Iadnamad. oh©zaz©ma pla©plee Yad©na©mad. Á° ÁÁ ÁÁ` Á Jhad©na©mad Ãà ÁàÀÁTHE NAMES OF THE THIRTY AETHYRSÄă Á° ÁLIL ÁÁLeel Á¸ ÁÁÁICH Á"h#ÁEekÖ‡Èó‰� "à ÃIKÄ Ä"Ö Á+-ÁÁ-p2ÁASP Á6È7ÁAhs©puh Á° ÁARNÁ ÁArnÁ` ÁÁ¸ ÁÁÁLOEÁ!h#ÁLo©ayÁ(-ÁÁ-p2ÁLINÁ5È7ÁLeen, Lin Á° ÁZOMÁ ÁZomÁ` ÁÁ¸ ÁÁÁZIMÁ!h#ÁZeem, ZimÁ,-ÁÁ-p2ÁTORÁ5È7ÁTor Á° ÁPAZÁ ÁPazÁ` ÁÁ¸ ÁÁÁUTAÁ!h#ÁOo©tahÁ)-ÁÁ-p2ÁNIAÁ5È7ÁNee©ah Á° ÁLITÁ ÁLeet, LitÁ¸ ÁÁÁOXOÁ!h#ÁOh©ksoÁ)-ÁÁ-p2ÁUTIÁ5È7ÁOo©tee Á° ÁMAZÁ ÁMazÁ` ÁÁ¸ ÁÁÁLEAÁ!h#ÁLay©ahÁ)-ÁÁ-p2ÁDESÁ5È7ÁDess Á° ÁDEOÁ ÁDay©ohÁ¸ ÁÁÁTANÁ!h#ÁTanÁ&À(ÁÁ(-ÁÁ-p2ÁZAAÁ5È7ÁZah©ah Á° ÁZIDÁ ÁZeed, ZidÁ¸ ÁÁÁZENÁ!h#ÁZenÁ&À(ÁÁ(-ÁÁ-p2ÁBAGÁ5È7ÁBah©guh Á° ÁZIPÁ ÁZeep, ZipÁ¸ ÁÁÁPOPÁ!h#ÁPoh©puhÁ*-ÁÁ-p2ÁRIIÁ5È7ÁRee©ee Á° ÁZAXÁ ÁZaksÁ` ÁÁ¸ ÁÁÁCHRÁ!h#ÁKharÖ4ˆÈXó‰� "à ÃkarÄ Ä in palato very much"4ÖÁ*-ÁÁ-p2ÁTEXÁ5È7ÁTeksÔ 'èˆÔ Ó'€ÓÁàÀ$ÁÃÃAPPENDIXÄă ÁàÀÁAURUM SOLIS PRONUNCIATION KEYƒ ÁàÀÁ(from "Mysteria Magica" pg 416)ƒ AÁ° Áas the first vowel sound in "father" EÁ° Áas the vowel sound in "say" IÁ° Áas the vowel sound in "meet" OÁ° Áas the vowel sound in "hold" UÁ° Áas the vowel sound in "food" aÁ° Áas the vowel sound in "add" eÁ° Áas the vowel sound in "yet" iÁ° Áas the vowel sound in "sit" oÁ° Áas the vowel sound in "hot" uÁ° Áas the vowel sound in "foot" ^ÂX° Ârepresents the neutral vowel, as the first vowel sound in "pa­rade," or the second vowel sound in "column."Æ(#°Æ ÂX° ÂConsonants are given their normal values (G invariably represents the hard sound of that letter, as in "gold."Æ(#°Æ #ÂX° Ârepresents the guttural, pronounced as the "ch" in German (Woche, suchen).Æ(#°Æ ÂX° ÂAs a general rule, allowing for varied inflexions of the voice in the flow of magical utterance, all the syllables in an Enochian word should be given equal weight. It will be noted that hyphens are frequently inserted in words. These only emphasise the need to give full value to a vowel, or to a syllable, and do not call for a real break in the utter¬ance.Æ(#°Æ Ð X°X° ÐÔ È(ˆÔ ÁàÀÁDONALD LAYCOCK'S PRONUNCIATION KEYƒ ÁàÀÁ(from "The Complete Enochian Dictionary" pps 46©47.)ƒ AÁ° Á© long (stressed), as in "lah©di©dah" Á° Á© short (unstressed), as in French "patte" BÂX° © usually as English à ÃbÄ Ä, but silent between à ÃmÄ Ä and anotherÆ(#°Æ Á° Á consonant, or after à ÃmÄ Ä finally CÁ° Á© as à ÃkÄ Ä before à ÃaÄ Ä, à ÃoÄ Ä, à ÃuÄ Ä (with some exceptions) ÂX° © as à ÃsÄ Ä before à ÃiÄ Ä, à ÃeÄ Ä (with many exceptions), and in clusters ofÆ(#°Æ Á° Á consonants (à ÃnoncfÄ Ä = à ÃnonsfÄ Ä) CHÁ° Á© as à ÃkÄ Ä in most positions, but as à ÃchÄ Ä finally DÁ° Á© as à ÃdÄ Ä in all positions EÁ° Á© when stressed, as in French "fee" Á° Á© when unstressed, as in "bed" FÁ° Á© as à ÃfÄ Ä in all positions GÂX° © as (hard) à ÃgÄ Ä before à ÃaÄ Ä, à ÃoÄ Ä, à ÃuÄ ÄÆ(#°Æ ÂX° © as à ÃjÄ Ä before à ÃiÄ Ä, à ÃeÄ Ä, in final position, after à ÃdÄ Ä, and in clustersÆ(#°Æ Á° Á of consonants HÂX° © as à ÃhÄ Ä in most positions (except in combinations à ÃchÄ Ä, à ÃphÄ Ä, à ÃshÄ Ä, à ÃthÄ Ä);Æ(#°Æ Á° Á silent after a vowel, but the vowel is lengthened IÁ° Á© when stressed, as in (French) "machine" Á° Á© when unstressed, as in "bit" ÂX° © in combinations: à ÃaiÄ Ä as in "fly"; à ÃeiÄ Ä as in "eight"; à ÃoiÄ Ä as inÆ(#°Æ Á° Á "boil" ÂX° © as à ÃyÄ Ä in word©initial position before a vowel (à ÃIadÄ Ä = à ÃYadÄ Ä)Æ(#°Æ KÁ° Á© as à ÃkÄ Ä in all positions LÁ° Á© as à ÃlÄ Ä in all positions MÁ° Á© as à ÃmÄ Ä in all positions NÁ° Á© as à ÃnÄ Ä in all positions OÁ° Á© when stressed, as in French "mot" Á° Á© when unstressed, as in "not" ÂX° © in combinations: à ÃoiÄ Ä as in "boil"; à ÃouÄ Ä as in "bout"; à ÃooÄ Ä as inÆ(#°Æ Á° Á "fool" PÁ° Á© as à ÃpÄ Ä except in combination à ÃphÄ Ä PHÁ° Á© as à ÃfÄ Ä Q,QUÂX ° © as à ÃkwÄ Ä (à ÃquÄ Ä in "quick") ©© but the word à ÃqÄ Ä is pronounced à ÃkwaÄ ÄÆ(#°Æ RÁ° Á© as à ÃrÄ Ä in "right" (but may be rolled) SÁ° Á© usually as à ÃsÄ Ä in "sit" ÂX° © sometimes à ÃzÄ Ä, in places where this is more natural in EnglishÆ(#°Æ Á° Á (à ÃlrasdÄ Ä = à ÃelrazdÄ Ä) SHÁ° Á© as à ÃshÄ Ä in "ship" TÁ° Á© as à ÃtÄ Ä except in combination à ÃthÄ Ä THÁ° Á© as à ÃthÄ Ä in "thank" UÁ° Á© as à ÃooÄ Ä in "boot", or à ÃuÄ Ä in "put" Á° Á© in initial position as "yew" ÂX° © as à ÃvÄ Ä or à ÃwÄ Ä before another vowel, and in word©final positionÆ(#°Æ XÁ° Á© as à ÃxÄ Ä in "fox" YÁ° Á© as à ÃyÄ Ä in word©initial position before a vowel ÂX° © as the letter à ÃIÄ Ä before a consonant, and in word©final positionÆ(#°Æ ZÁ° Á© as à ÃzÄ Ä in "zoo"; in a very few words, as à ÃzodÄ ÄÔ H&)ˆÔ ÐÐÁàÀ"ÁÃÃBIBLIOGRAPHYƒÄÄ Causabon, Meric., D.D., ÃÃA True and Faithful Relation of What Passed for Many Years Between Dr. John Dee and some SpiritsÄÄ, Magickal Childe, 1992, New York, NY. Denning, Melita, and Phillips, Osborne, ÃÃMysteria MagicaÄÄ, Llewel¬lyn Publications, 1992, St. Paul, MN. James, Geoffrey, ÃÃThe Enochian Evocation of Dr. John DeeÄÄ, Hep¬tangle Books, 1989, Gillette, NJ. Laycock, Donald C., ÃÃThe Complete Enochian DictionaryÄÄ, Askin Publish­ers, 1978, London, England, UK.